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How Brian Eno Created Ambient 1: Music for Airports (2019)

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101–110 of 129 posts

Re: How Brian Eno Created Ambient 1: Music for Airports (2019)

#101
I recently read the 33 1/3 text on Another Green World. This is a good addendum to that. Also, if you haven't heard Bang on a Can's version of MfA, it's worth a listen.

https://www.amazon.com/Brian-Enos-Another-Green-World/dp/082... https://www.amazon.com/Music-Airports-Brian-Eno/dp/B0000069C...

Re: How Brian Eno Created Ambient 1: Music for Airports (2019)

#103
post #85

Not quite ambient, and (I presume) not aleatory, but Sleep by Max Richter has a kind of ambient feel - like Music for 18 Musicians it evolves slowly but intentionally, and draws me along with it.

> Sleep is an eight-and-a-half hour concept album based around the neuroscience of sleep by composer Max Richter.

Now that's a long album. Maybe good for sleeping to?

Re: How Brian Eno Created Ambient 1: Music for Airports (2019)

#105
Eno's most celebrated musical experiments were not exclusively confined to ambient music. He was also involved in a project which asked the question: what would it sound like if you created an orchestra which used standard, established musical instruments, playing well-known classical standard themes, but one that was composed of a combination of both fully competent musicians and totally inexperienced and utterly incompetent first-timers? Eno's answer was that you would produce extraordinary musical experiences for the listener which amounted to a unique combination of choice and chance. For me and many others, his translated into some of the funniest musical experiences I have ever known. Please listen to The Portsmouth Sinfonia https://www.youtube.com/watch?v=hpJ6anurfuw

Re: How Brian Eno Created Ambient 1: Music for Airports (2019)

#107

Wow, this brings back memories! My roommate in college was really into Brian Eno, and I recall many a night when we'd go to sleep to this. HN is pretty great sometimes.

My roommate had "Discrete Music" and an automated turntable, and would leave the first side on repeat for hours. I could probably hum the whole thing from memory.

Re: How Brian Eno Created Ambient 1: Music for Airports (2019)

#108

This reminds me of "Zaireeka" by the Flaming Lips, an album that was sold as four separate CDs and you would have to cobble together every boombox, stereo, and Walkman in your house to try and play them all at the same time. So, you would hit the "play" button on disc #1, frantically try to match your timing with disc #2, inevitably be a few seconds late on disc #3, etc. The end result was that the music never sounde…

>The end result was that the music never sounded the same twice

Or that nobody played it, or bothered more than once :)

Re: How Brian Eno Created Ambient 1: Music for Airports (2019)

#109

Dumb question. Does Brian Eno how to code? Does Kanye? Do any pop artists know how to code, or do they outsource ideas to people who do?

I've seen some videos where Brian Eno is tweaking JavaScript code in Apple Logic DAW's scripting tool. But elsewhere I've seen Eno say, "With friends like Danny Hillis, there may not be much point in my learning to code in this lifetime."

Re: How Brian Eno Created Ambient 1: Music for Airports (2019)

#110
I had a great use for 1/1 in my career at a hospital helpdesk. As part of our small jack-of-all-trades group, we were responsible for the paging system, which was being upgraded.

Our integration vendor had to test and set the volume of all the speakers and put on classical music. We realized that classical music wasn't probably the best choice in a hospital (figure that it can get very... dramatic) and the rest of the crew was figuring out what to put on overhead to carry onwards.

I grabbed my iPad, hooked it into the paging amplifier, hit play on a certain song...

... and the paging system dutifully played 3 chimes indicating an emergency page, and 1/1 boomed across the hospital. A very healing-space-esque theme, very fitting.

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