Earlier quoted context omitted.
> I think I'd rather characters that are truer to life than sound like they're acting on stage, personally. You can have both though. A great example is Patrick Stewart as Captain Jean-Luc Picard in Star Trek: The Next Generation. He’s never mumbled a line in his life and you can understand everything he says during quiet dialog. You can be true to life, quiet AND understandable.
I do think Stewart's stage training shines through quite a lot. He does dial it back, but his performance is hardly realistic. (I'd also note how important recurring locations are even set up like a stage -- open with a clear unobstructed focus point for action to happen in; the bridge, ten forward and engineering especially notable). On the other hand, I'm not sure what hyper-realism would contribute to something li…
omg that's embarrassing, but I guess it's true