Earlier quoted context omitted.
You're correct; lossless formats aren't needed by the average consumer. But the problem they solve is a very real thing. Think of the difference between a repeatedly edited JPG vs. a repeatedly edited PNG. Every save of the JPG destroys information irretrievably, whereas every save of the PNG keeps it all. It's the same with MP3 vs. FLAC: MP3 throws away information each export, but FLAC doesn't. For an example, musi…
16 bit is not enough?
FLAC 1.4.0 released – added support for 32-bit audio
91–100 of 119 posts
Re: FLAC 1.4.0 released – added support for 32-bit audio
#92Earlier quoted context omitted.
It is sad that a technically superior and patent free technology often lose out in the popularity contest. Sigh.
What do you mean? Both FLAC and WavPack claim to be patent-free.
WavePack was specifically designed to be Patent Free, or using old and expired Patent techniques.
Re: FLAC 1.4.0 released – added support for 32-bit audio
#93After reading "How Music Works" by David Byrne, it seem like FLAC is solving the wrong problem. No one needs over 4 billion discrete levels.
Re: FLAC 1.4.0 released – added support for 32-bit audio
#94Earlier quoted context omitted.
I've used it to record oscilloscope captures. Especially useful since audio cards are cheap high res adc's.
I'm amazed that consumer-grade audio cards are still available and cheap, to be honest. I can't recall having seen one in years, then again, I haven't had a reason to look for them in years either.
Re: FLAC 1.4.0 released – added support for 32-bit audio
#9532-bit integer, not float. I didn't even know 32-bit integer was a thing. Float is far more common. (For audio.)
This does not matter… 32bits is 32bits is 32bits.
Re: FLAC 1.4.0 released – added support for 32-bit audio
#96Earlier quoted context omitted.
It's very unlikely your audio interface can actually record at 32 bit resolution. https://www.mojo-audio.com/blog/the-24bit-delusion/ 32bit or more makes sense for dsp and summing, and non-musical data storage. But your I/O is most likely not giving 32 bits
32-bit is common in field recordings, like with a Zoom (and there's reason to believe they can legitimately take advantage of it).
The big benefit from 32bit float is you can go "above" 0db, so your digital operations can't "clip" in the analog sense. I definitely see the benefits of 32 bit float hardware, especially for field recordings (zoom aren't lying, it does work). But it's a different format and the internals are relying on the integer based format and don't exceed 24 bit integers.
Re: FLAC 1.4.0 released – added support for 32-bit audio
#97Earlier quoted context omitted.
I made my own encoder and experimented with variable block size (with dynamic programming) plus a massive amount of brute-force search for LPC parameters. But the amount of compression gain I could achieve over libflac was small and not worth the hours of encoding time. https://www.nayuki.io/page/benchmark-of-nayukis-flac-encoder
Sometimes encoding time doesn't matter. Archiving is done once in a lifetime. I encode everything with "--lax -8Vepl32" which takes ages but since it runs as a low priority background task I don't care. Also, you can use heuristics to choose the right blocksize instead of brute-forcing it. If the algorithm is clever enough you might achieve slightly better results at almost zero costs.
Re: FLAC 1.4.0 released – added support for 32-bit audio
#98Earlier quoted context omitted.
Audiophiles usually recommend using some better algorithms such as SSRC resampler (foobar2000 have it as plugin handily) than whatever FFMPEG provides. I can't say I personally can tell the difference, but based on my (limited) knowledge of DSP, artifact-free resampling definitely isn't a straightforward thing.
> artifact-free resampling definitely isn't a straightforward thing. It's more that in practice artifact free resampling isn't a thing at all, so you have to choose what your artifacts do.
It definitely isn't in general sense. Thankfully, limitations of human range of hearing (20Hz-20KHz, < 100db dynamic range) make the limitations non-issue, except for people who claim they can hear ultrasonic frequencies or can hear Cymbals when played with over 124db of dynamic range.
Re: FLAC 1.4.0 released – added support for 32-bit audio
#99Earlier quoted context omitted.
ffmpeg can downsample audio to a more manageable rate. I use it to reduce hi-res flacs to 16-48, which cuts it down to a ~third of its original size and is supported in my car stereo and everywhere else. Can't tell any difference on playback.
Audiophiles usually recommend using some better algorithms such as SSRC resampler (foobar2000 have it as plugin handily) than whatever FFMPEG provides. I can't say I personally can tell the difference, but based on my (limited) knowledge of DSP, artifact-free resampling definitely isn't a straightforward thing.
Re: FLAC 1.4.0 released – added support for 32-bit audio
#100Earlier quoted context omitted.
I am a recording engineer and I will choose 32 bits over 24 any day when recording. Of course you need the right (exceptionally good!) preamps to even make a difference here, but when you are manipulating audio 32 bits and upwards (for summing) are the default (for a reason). Having something to store those files with a little bit of lossless compression is a welcome addition
> I will choose 32 bits over 24 any day when recording. There's probably no point since your audio interface doesn't produce 32 bit audio anyway. For transient formats it's another story: if a bit of audio gets re-printed multiple times with some processing between renders, then it's beneficial to store it in a DAW-native format (32/64 fp) to avoid quantization or multiple additions of dither noise. For recording you…
In the practical sense what this means is that I have to be less careful with setting the gain. Typically when setting recording gain you want to go as high as possible so preamp/mic noise doesn't become an issue, but not so high that you are going into the limiter when something unexpectedly loud happens.
I often record in environments where unexpectedly loud things happen, so having a recorder that allows me to record at a lower level while still not gaining noise issues or loosing detail in the silent parts is a very welcome thing.