After using SD heavily for a week, I half agree with this. It is incredibly disruptive, and it's wild how much it accelerates the creative process. I'll give you that. But two things I've noticed: First, artists will still have a massive advantage over non-artists with this tool. A photographer who intimately knows the different lenses and cameras and industry terms will get to a representation of their idea much fas…
For every tool, a better output will always be created by people who specialize in a craft. Just as photoshop revolutionized photography, to this day you can tell the difference easily between and bad 'shops. In video games upon release everyone is bad and its an even playing field. But as people practice and gain experience they improve their usage, refine their approaches. You eventually see metas develop and best…
It used to be that you could find work as a political cartoonist and draw a picture of some satirizable politician each day - maybe Dr. Oz with a funny-looking vegetable platter, or Biden falling off a bike labeled "build back better," or something - and that would be a career. Now it seems you can just type "Dr. Oz holding a vegetable platter, political cartoon" into one of these AIs and the bulk of the work is automated. Sure, you could spend the rest of the day refining it, but nobody's really looking for perfection or transcendent skill in their political cartoons.
You can still find work making political videos of Dr. Oz and vegetables (e.g. https://twitter.com/JohnFetterman/status/1564432981841907713). Today's image generation AIs cannot do videos like that. Tomorrow's will, before we know it, and again nobody's looking for more than a baseline level of quality there either.
And even the local newspaper that might have been employing a political cartoonist is being swallowed by high-capital-ownership companies that can replace a lot of the writing with AIs. The expectations of quality are a bit higher - though the AIs have mostly gotten the hang of sports writing - but again people don't expect The Smalltown Gazette to have the standards of The New Yorker.
Sure, the highest-quality drawings, feature films, and longform journalism will get a lot better. And that's great! But most people don't work on such things. What are they going to do? If nothing else, how will they remain an audience with money to spend on the highest-quality works?
(I am not advocating for stopping this process, to be clear. Smashing the AIs isn't a coherent proposal, and smashing the physical machines of automation didn't actually work when the Luddites tried. I'm advocating for admitting that this process is happening and drying up employment, admitting that keeping as much of humanity as possible under a good standard of living is important for humanity, and figuring out what to do about it.)