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Ask HN: Exercises to think, then speak, more clearly?

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Ask HN: Exercises to think, then speak, more clearly?

#1
I read a quote along the lines of "Next to height, the most unfair advantage someone can have is the ability to walk into a room without preparation and persuade the audience on just about any subject."

At face value, this sounds preposterous but there's merit to what the author is saying. Upon reflection, I've realized that this superpower is a lot harder than it seems and it requires:

- Ability to think clearly - Ability to encode into brain what you want to say - Deliver message

I'm finding it difficult to perform the first 2 steps. Has anyone found great resources and exercises to help with this?

Re: Ask HN: Exercises to think, then speak, more clearly?

#3
I find that trying to write a persuasive essay is a good exercise for clarifying thought. If you share what you write with people who are bound to find flaws in it (e.g. by posting it to HN :)), you start to develop a “voice of the reader” and predict in advance what their objections will be to strengthen your argument.

Re: Ask HN: Exercises to think, then speak, more clearly?

#4
Can't underestimate the power of practice. Perhaps find low stake venues where messing up does not have much consequences and present your thoughts. Maybe attend townhalls, local seminars, university talks and present your thoughts on the topic. See what worked and what did not. Improve iteratively.

Re: Ask HN: Exercises to think, then speak, more clearly?

#6
The "persuade" and "just about any subject" part set combine to basically be the opposite of expertise on a topic, so I'd guess confidence, practice speaking, height and other monkey brain things probably help more than clearly marshalling thoughts.

Possibly easier to just hire an actor to deliver your message.

Might depend on the target audience though.

Re: Ask HN: Exercises to think, then speak, more clearly?

#8
For me the best training exercises to learn to speak better are high pressure events. I don’t mean crowds where you are fending off stage freight. Solving for stage freight is implicit to solving for high stress generally.

I mean there is some epic outage at your mega corp employer and all eyes are on you to fix the problem sort of pressure. Let’s call this soul crushing pressure coupled with time pressure and doing 3+ things simultaneously. There is no way out. No easy escape. You just have to keep slowly crawling towards resolution with the death stare of everybody on you. In order to creep towards resolution you must be able to talk through the problem as clearly as possible. Less is more and precision is epic.

Slow is smooth. Smooth is fast.

When you train your mind to operate in this high pressure context your speech will improve.

Re: Ask HN: Exercises to think, then speak, more clearly?

#9
Several things come to mind at once.

Thinking, with intent to convey that thinking into words understandable by your chosen audience, involves understanding your audience in the first place. You must learn to observe your audience; this is far more important than whatever idea you may want to express; if your audience is not receptive to you, you have lost before you begin. To generalize, listen before you speak.

Once you have an idea about how you may best express your idea, you should give a thought to how you are structuring your idea. For the details, it is generally considered a good idea to read, and read a lot. It is best if you read authors who are comprehensible to you, but have a firm grasp of the kind of style you wish to cultivate in yourself. After a bit of this, you really do have to write a lot - quantity is much more important than quality when you are hoping to improve yourself.

Almost all of what I wrote above can be tied to sources, and I would have liked to add more, but unfortunately I do not have the time to find references at this point in time, or write more.

Re: Ask HN: Exercises to think, then speak, more clearly?

#10
Benjamin Franklin describes a good one in his autobiography, excerpted below from Project Gutenberg:

> About this time I met with an odd volume of the Spectator. It was the third. I had never before seen any of them. I bought it, read it over and over, and was much delighted with it. I thought the writing excellent, and wished, if possible, to imitate it. With this view I took some of the papers, and, making short hints of the sentiment in each sentence, laid them by a few days, and then, without looking at the book, try'd to compleat the papers again, by expressing each hinted sentiment at length, and as fully as it had been expressed before, in any suitable words that should come to hand. Then I compared my Spectator with the original, discovered some of my faults, and corrected them. But I found I wanted a stock of words, or a readiness in recollecting and using them, which I thought I should have 17acquired before that time if I had gone on making verses; since the continual occasion for words of the same import, but of different length, to suit the measure, or of different sound for the rhyme, would have laid me under a constant necessity of searching for variety, and also have tended to fix that variety in my mind, and make me master of it. Therefore I took some of the tales and turned them into verse; and, after a time, when I had pretty well forgotten the prose, turned them back again. I also sometimes jumbled my collections of hints into confusion, and after some weeks endeavored to reduce them into the best order, before I began to form the full sentences and compleat the paper. This was to teach me method in the arrangement of thoughts. By comparing my work afterwards with the original, I discovered many faults and amended them; but I sometimes had the pleasure of fancying that, in certain particulars of small import, I had been lucky enough to improve the method or the language, and this encouraged me to think I might possibly in time come to be a tolerable English writer, of which I was extremely ambitious. My time for these exercises and for reading was at night, after work or before it began in the morning, or on Sundays, when I contrived to be in the printing-house alone, evading as much as I could the common attendance on public worship which my father used to exact on me when I was under his care, and which indeed I still thought a duty, though I could not, as it seemed to me, afford time to practise it.

https://www.gutenberg.org/cache/epub/148/pg148-images.html.u...

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