For the American audience: Emmaus is the Goodwill for France.
Similarly in the Netherlands we have Kringloopwinkels.
Sort of related is one of my favorite things in NL: the “mini bibliotheek”, the free for all bookcases to share books (often placed in front of a house by the residents).
They are also doing a lot of reintegration work which is very often copied by other associations or the private sector if it seems profitable.
As part of their computer refurbishment activity, they have been promoting their own Debian-based distribution for years. https://emmabuntus.org/
France is a very socialized country, but with the specificity of having transferred a lot of initiatives to associative actors.
I think that what Emmaus is doing is very good, but sometimes I wonder if the French way of doing things has not frozen everything in a bit of mediocrity. A majority of the people supported by Emmaus would be better off in a country that doesn't destroy its industries and its professional education.
For the American audience: Emmaus is the Goodwill for France.
Similarly in the Netherlands we have Kringloopwinkels. Sort of related is one of my favorite things in NL: the “mini bibliotheek”, the free for all bookcases to share books (often placed in front of a house by the residents). Here’s an example one: https://velsencityblog.nl/wp-content/uploads/2019/11/groot.j...
In the US, the "mini bibliotheek" is called a "Little Free Library". There are four or five within a fifteen-minute walk of where I live.
Every year, while visiting family in France, we dedicate days to visiting these shops as well as brocantes (antique/vintage markets). I used to do the same in the US, starting as a child when I hopped around Salvation Army shops and garage sales with my mother. They are an incredibly important part of who I am and they have deeply shaped how I view things like commerce and consumption — and given my tech doings, they’ve tended to make me deeply cynical about modern e-commerce. But before I digress, I’ll agree that it seems gems are getting harder to come by. This is especially true in fashion where we’re starting to see the longer impact of fast fashion (see recent NY Times article entitled ~The end of the golden age in thrifting). I hope the world moves back in a direction where things we make will eventually hold real value past their first, second or even third owners.
Funny thing is that the quality of stuff depends heavily on the location. For example Emmaus close to a rich holiday littoral city I know is very often be full of super nice furniture, including golf gear because it's basically rich people getting rid of old stuff because they want something new at home. On the other hand Emmaus in the north of paris (poor) is really full of super old damaged furniture and ugly cloth…
Some localizations are more complicated.
The Emmaus center for Versailles and other cosy cities around is located in Trappes. Trappes is one of the most "difficult" cities in France.
I give to Emmaus quite often and see very diverse population and donated objects. So what you get there is really random, and usually falls into the category of "great" or "mediocre", with not too much in between.
They are also doing a lot of reintegration work which is very often copied by other associations or the private sector if it seems profitable. As part of their computer refurbishment activity, they have been promoting their own Debian-based distribution for years. https://emmabuntus.org/ France is a very socialized country, but with the specificity of having transferred a lot of initiatives to associative actors. I t…
People supported by Emmaus usually are not a good fit for job market. The goal is to help them grow. In the end, most of them will stay there. It's not an achievable goal for everyone. I don't think you can blame "frozen mediocrity" for this. Many supported people have not been raised in France.
Off topic, but I'm curious about the two dots over the letter u, which is something I've never seen before in French. Living in a German-speaking land, I'm used to seeing the same name written as Emmäus, where the umlaut serves not only to shift the sound of the a vowel but also to imply the emphasis goes there... Now I understand the normal French u-sound is naturally closer to the German ü than any English vowel without the need for a diacritical mark, so I wonder what effect the dots have here and if they appear in other French words, or is it only something rare such as, in this case, when importing a place name from Hebrew via Greek... Any experts in French orthography with an opinion on this?
Off topic, but I'm curious about the two dots over the letter u, which is something I've never seen before in French. Living in a German-speaking land, I'm used to seeing the same name written as Emmäus, where the umlaut serves not only to shift the sound of the a vowel but also to imply the emphasis goes there... Now I understand the normal French u-sound is naturally closer to the German ü than any English vowel wi…
It's for correct pronunciation. If there's no two dots on the u letter, french people may pronouce it 'emmo' because an 'a' followed by 'u' is pronounced 'o'.
But there's no need because Emmaüs is so well known in France that everybody knows how to say it.
You can find other examples in words like 'aigü' (acute) where you have to say the u like german ü.
Off topic, but I'm curious about the two dots over the letter u, which is something I've never seen before in French. Living in a German-speaking land, I'm used to seeing the same name written as Emmäus, where the umlaut serves not only to shift the sound of the a vowel but also to imply the emphasis goes there... Now I understand the normal French u-sound is naturally closer to the German ü than any English vowel wi…
The two dots here are not an umlaut. They're a trema [0], which happens to look the same. It's used to break digraphs or diphtongs into separate vowels.
Without the trema, this word would be pronounced something like "/emo/". With it, it's pronounced "/ema.yz/".
If you see two dots in French, Spanish, Portuguese (and English as written by The New Yorker!) you're looking at a trema.