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OP-1 field

teenage.engineering

81–90 of 251 posts

Re: OP-1 field

#81
post #2

I clicked through to the store thinking "Come on TE, what pricepoint have you set this time", and it's $2,000. Two grand. I chuckled, and closed the tab.

If any business on this site has taken to heart the advice to charge more, it's Teenage Engineering.

Doesn't really seem to be hurting them, now, does it?

Re: OP-1 field

#82
I hope for 2k bugs it has at least an „undo“-button.

The classic op1 doesn’t have one. Would increase my productivity dramatically.

Re: OP-1 field

#83
I have absolutely no use for the products made by teenage engineering, as I don't have a clue about audio production. But scolling thought their store, I still want to own these beatiful devices.

Re: OP-1 field

#84
post #35

The people complaining about the price tag: I get it. But the OP-1 is literally the only piece of music gear you can bring on an airplane and write a whole song. Why has no one else figured that out? With all these groove boxes etc, why has no other music gear taken the step of being portable and all-in-one. Show me another way to write a song in an airplane, and you can have my money.

I know it's not the same class, or what you mean, but gosh darn have I enjoyed making music with the $10 caustic android app.

Re: OP-1 field

#85
post #22

It looks nice and I may consider buying one for research purpose. But I know the price tag can be quite high for many. Maybe that's partially the reason that I believe free and open-source software is a form or music democratisation. I would like to invite those who are interested in this idea to try my live coding project in the browser: https://glicol.org I have been taking this project to different workshops and t…

> https://glicol.org This looks absolutely fantastic! Thanks for sharing. Live coding in a VST (like this project https://www.osar.fr/protoplug/ ) would be the next thing? > remember to play with line 14 On my screen, line numbers are almost invisible (.CodeMirror-linenumber #e0e2e5).

You might like this too.

http://ernestmicklei.com/melrose/introduction_melrose/

Really cool project that lets you drive your DAW programmatically.

Re: OP-1 field

#86
post #6

Earlier quoted context omitted.

I remember buying the first OP-1 when it came out for something around $700 and even then thought "wow, this is a stretch". Since then they _raised_ the price of the original north of $1k. Don't get me wrong, TE makes incredible stuff and the OP-1 is no exception, but the price point just doesn't make sense unless you have serious money to burn. I had the same reaction to you after seeing the price for the mk2. At le…

> but the price point just doesn't make sense unless you have serious money to burn. Meanwhile, the OP-1 was used on like 40% of all modern pop music production process. I think the market is massively successful artists and they know they will pay.

40%? That seems like a lot. Where did that number come from?

Re: OP-1 field

#87
post #6

Earlier quoted context omitted.

I remember buying the first OP-1 when it came out for something around $700 and even then thought "wow, this is a stretch". Since then they _raised_ the price of the original north of $1k. Don't get me wrong, TE makes incredible stuff and the OP-1 is no exception, but the price point just doesn't make sense unless you have serious money to burn. I had the same reaction to you after seeing the price for the mk2. At le…

> but the price point just doesn't make sense unless you have serious money to burn. Meanwhile, the OP-1 was used on like 40% of all modern pop music production process. I think the market is massively successful artists and they know they will pay.

> Meanwhile, the OP-1 was used on like 40% of all modern pop music production process.

I’d love to see a citation for that. Lots of artists use it for demos, and it’s a good live tool, but if you look at modern pop it’s being produced with soft synths or Sequentials, Rolands, Korgs, etc.

Re: OP-1 field

#88
post #52
post #35

The people complaining about the price tag: I get it. But the OP-1 is literally the only piece of music gear you can bring on an airplane and write a whole song. Why has no one else figured that out? With all these groove boxes etc, why has no other music gear taken the step of being portable and all-in-one. Show me another way to write a song in an airplane, and you can have my money.

I guess you're not yet familiar with the Synthstrom Deluge: https://synthstrom.com Far better than the OP-1, by miles .. See also the 1010music BlackBox: https://1010music.com/product/blackbox Easily set up on an airplane seat-table for production.

Yep, Deluge is the one and only desert island groovebox IMO.

Re: OP-1 field

#89
There are some nice improvements, but also:

> ERGONOMIC POWER SWITCH

> NEW METRONOME SOUND

> NEW PACKAGING

> INCREASED TOMBOLA SIMULATION ACCURACY

It's nice to have a company that doesn't take themselves too seriously. How are people paying 2k for that though, I do not know.

Re: OP-1 field

#90
post #35

The people complaining about the price tag: I get it. But the OP-1 is literally the only piece of music gear you can bring on an airplane and write a whole song. Why has no one else figured that out? With all these groove boxes etc, why has no other music gear taken the step of being portable and all-in-one. Show me another way to write a song in an airplane, and you can have my money.

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