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The Influence of Neuromancer on Cyberpunk

sabukaru.online

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Re: The Influence of Neuromancer on Cyberpunk

#153

Earlier quoted context omitted.

Neal Stephenson gives a spicier take on this in Snowcrash: "... the Invisible Hand has taken away all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity."

Neal Stephenson gives a spicier take on this in Snowcrash: "... the Invisible Hand has taken away all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity." I don't get it. What does being Pakistani have to do with anything?

Stephenson is referencing the effective slavery that is brick kilns in the subcontinent in particular [1]. It also applies to India and possibly Bangladesh.

[1]: https://www.aljazeera.com/features/2019/10/21/the-spiralling...

Re: The Influence of Neuromancer on Cyberpunk

#154
post #17

One thing I read somewhere -- and it might have been an interview with Gibson or with someone else talking about his work -- is how much William Gibson despises derivatives of cyberpunk in the books, videogames and movies that followed. Specifically, he dislikes the focus on the aesthetic, neon lights, mirror shades, etc. I think Gibson really dislikes Cyberpunk 2077, for example. Gibson argued they are missing the p…

I think that's a case of an artist hating their work once it's on the canvas, which is incredibly common.

Re: The Influence of Neuromancer on Cyberpunk

#155
post #17

One thing I read somewhere -- and it might have been an interview with Gibson or with someone else talking about his work -- is how much William Gibson despises derivatives of cyberpunk in the books, videogames and movies that followed. Specifically, he dislikes the focus on the aesthetic, neon lights, mirror shades, etc. I think Gibson really dislikes Cyberpunk 2077, for example. Gibson argued they are missing the p…

I wonder what Gibson thinks of solarpunk. I think its a very compelling aesthetic, and much more rejecting of societal norms (particularly around consumptive consumerism)

Re: The Influence of Neuromancer on Cyberpunk

#156
post #69

Earlier quoted context omitted.

> "the majority of derivatives of the cyberpunk genre I've seen have all usually been cheap cash grabs with less than any real messaging behind it" Agreed, and it's important to note that the message "evil corporations are greedy and use tech in soulless and alienating ways" used to be a radical message but it's not anymore. Now it's just a trope. So I disagree with what some are saying that cyberpunk is currently us…

> evil corporations are greedy and use tech in soulless and alienating ways" used to be a radical message but it's not anymore. It seems like you would have to go pretty far back to find a time where that would be a genuinely radical message. The 19th century saw the trusts and rail barons. There was also the East India Trading Company and its affect on India. I haven't read Gibson's work specifically (though I'd lik…

I think in retrospect you can say what you said. But think about your stereotypical grandfather whose big ambition was to be a company man, to work his way through life and be rewarded with a modest pension and a reasonably comfortable retirement. Think also about the fact that while in the US this is less of a dream now, in Japan this sentiment seems alive and well.

Re: The Influence of Neuromancer on Cyberpunk

#157

I’m constantly amazed at how Metaverse aficionados quote Snow Crash and and other 1990s works as cornerstones of cyberspace, when Gibson invented the term and Neuromancer was written in 1984. Gibson is the original. The passage where Case connects to the matrix (also a Gibson term) again for the first time once his nervous system is repaired is heartbreakingly beautiful. I relate to it as a young phone phreak growing…

Gibson has a cameo in Wild Palms.

PAIGE: This is William Gibson, Harry.

HARRY: Oh, yeah... Neuromancer, right?

PAIGE: He invented the word "cyberspace."

GIBSON: And they'll never let me forget it.

Re: The Influence of Neuromancer on Cyberpunk

#158
post #14

I was in a bookshop in Germany the other day, and saw a "Neuromancer" cover with a cool stylized photograph of Seoul, South Korea, in the background. The most perfect metaphor for the West's present switch-over from Japanmania to the Korean Wave. Similarly now have the modern Korean alphabet bleed into the neon signs of Cyberpunky streets of more recent movie productions where in the past you had Japanese or Chinese…

"The most perfect metaphor for the West's present switch-over from Japanmania to the Korean Wave." if this is a thing, it has been largely unnoticed. I think educated people think of SK as one of the few countries competing with US tech income (others being Australia, Japan, Singapore, and some (but very few) parts of England (London Finance), Germany (not sure on this one), and Switzerland (banking )). Other than th…

Japanophiles in the 80s were excessive. Scifi from the era has these undertones (Running Man, in 1986, has a bunch of execs being served sushi in post-apocalyptic california, by a geisha). Rising Sun in 1990 personified this fear that Japan would eclipse the US in tech, economy and culture, before they imploded with what we "now" consider an inevitable result of overheated economy.

Try flying through Minnesota, Wisconsin, the automaker capital states. Airports full of now-yellowed directions in Japanese for the consideration of what was frequent visitations by their competitors.

It was a no-brainer to bet on Japanese tech in next generation...even Gibson's dated "5MB of hot hitachi RAM" was far-sighted when he wrote it...just not far enough.

Re: The Influence of Neuromancer on Cyberpunk

#159
post #17

One thing I read somewhere -- and it might have been an interview with Gibson or with someone else talking about his work -- is how much William Gibson despises derivatives of cyberpunk in the books, videogames and movies that followed. Specifically, he dislikes the focus on the aesthetic, neon lights, mirror shades, etc. I think Gibson really dislikes Cyberpunk 2077, for example. Gibson argued they are missing the p…

I think the aesthetic, whether Gibson likes it or not, is interesting & compelling enough to stand on its own, outside of any specific or inherent social commentary. Though I agree that as an environment for stories its no longer well suited to commentary on society today. Some of what he envisioned has become mundane parts of everyday life, in some form or another. Others never much materialized. For the former, wel…

Strongly recommend the Laundry files. Note that they start rougher (hewing very close to the original concept of "grumpy sysadmin in weird circumenstances") but quickly mature into more.

Re: The Influence of Neuromancer on Cyberpunk

#160

Earlier quoted context omitted.

Curious if someone can find a URL for Gibson saying such things. I've never seen Gibson describing Neuromancer as a critique of Reagonomics or having any particular political agenda. Interested to see it if so! I don't think of Gibson having nearly as much "political" agenda or grounding as some other early "cyberpunk" writer's like Bruce Sterling or Rudy Rucker. (I don't think Gibson himself referred to his work "cy…

Have you read much of Gibson's other work? He's very clear about his attitude towards sci-fi as a way to examine the present day in many of his essays.

Yep! Oh for sure, as a way to examine the present! Just his political commitments or agenda, if any, aren't as obvious as some peers. i'm curious for places he's revealed them in interviews!
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