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FYI Update from Vimeo CEO posted Friday https://vimeo.com/blog/post/improving-policy-on-video-bandwi... (disclaimer I am a Vimeo employee)
Vimeo Alternatives : Centralized : Youtube, Dailymotion, Bitchute, Rumble, DTube, Vidlii, DLive, Triller Decentralized : Odysee(LBRY), Peertube
Being able to provide that mich storage and video transcoding and traffic is not a cheap thing to do right.
Even yt reduces video resolution for less watched videos.
Earlier quoted context omitted.
Not that it excuses what's happening, or that it really puts her in the "top 1 percent"...but despite the low views, she could still be using a lot of bandwidth. Her videos appear to be tutorials that are pretty long, most of them 1 hour+: https://loish.net/tutorials/ It wouldn't take many views/month to use a lot of bandwidth, assuming her customers watch the whole thing. That's perhaps not worth $3500/year, but I c…
Just to compare to Cloudflare Stream which I consider a honest paid platform: Streaming is $1 per 1000 minutes delivered Storage is $5 per 1000 minutes store per month. 117 videos with 2 hours each and with 150 views each: 117 * 2 * 60 = 14040 minutes stored or $14/month for storage which is $168/year. 117 * 2 * 60 * 150 = 2106000 minutes delivered or $2106. So $3500/year does not seem outrageous.
Considering the cost of bandwidth, you can't get that much better.
Earlier quoted context omitted.
I think it's less "because we can't be bothered" and more "because we don't want to compete with YouTube"
"Can't afford to compete" would also be accurate.
As a consumer of Vimeo content from musicians and comedians, I can translate this to English: “We have given up trying to produce a competitive consumer solution because we can’t be bothered to hire a UX designer or do any basic consumer-level testing of our product at all. Fuck if we know how to make things work. But business don’t care.”
Since then, the only time I've interacted with Vimeo was to watch episodes of IKEA Heights[0], as at the time this was the only place where it was officially distributed (i.e. in original quality, rather than re-encoded and re-uploaded to youtube). Great, weird, short series if you are interested. The play between the drama/acting, and then being brought back to reality by being caught, is very fun.
If I recall correctly, this was around when they removed recommendation type features from their site, which was the first sign that I saw, personally, that they were moving away from something consumer focused.
The DCP system was intriguing to me. They made DCP sound like a pain in the ass, requiring expensive projection equipment and some kind of special internet connection (they weren't familiar with that part) to receive films not distributed physically or to receive updates to films. Later, I looked up DCP on Wikipedia[1] and found it enlightening. The thing that stood out to me was the use of asymmetric encryption to ensure a particular DCP distribution was only able to be played on a particular projector, thanks to a symmetric key for the film being encrypted with a projector's public key, and decrypted using the private key stored on some kind of FIPS compliant HSM.
[0] https://vimeo.com/channels/ikeaheights [1] https://en.wikipedia.org/wiki/Digital_Cinema_Package