> I won't mourn movie theatres (though I hope places emulate the likes of Alamo Drafthouse and do dinner, drinks and let us make an evening out of watching a movie), but I do worry about things like movie financing. It feels the industry has split in two, either making super-expensive superhero blockbusters or super cheap indie films.
I'm informed by my cinemaphile friend that exactly this phenomenon has been much remarked upon in the last 15-20 years. Mid-budget films, which used to be very common, are mostly dead, leaving a couple kinds of low-budget film (the startup-model where you put out a ton of cheap movies and hope one is the next Blair Witch—and yes, most of this is horror—and the "indie" film kind) and the mega-budget ones that are basically investment vehicles. So, two kinds of films that exist because those models are the best ROI, and then indie films, and that's about it.
Meanwhile, there are still tons of good films coming out, but most are (broadly) in the "indie" bucket. People who complain that nothing good is made anymore[0] must just be looking at what's advertised heavily, is all I can figure. Dozens of good-to-great movies come out every year, including a whole bunch from the US.
[0] Then there's "it's all remakes now"—but 1) it's not, and 2) Hollywood started churning out tons of remakes about as early in their history as they possibly could, and never stopped.