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History of the Nautilus loudspeaker

bowerswilkins.com

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Re: History of the Nautilus loudspeaker

#111

Earlier quoted context omitted.

Interesting, I had the impression the DIY scene is not considering the WAF as much as the mainstream market. But I agree on kits, if you don't have a workshop its hard to built most designs. Don Highend has designed a few larger ones too, eg http://www.donhighend.de/?page_id=5291

That's still only a 6.5" woofer, my bookshelf speakers have 6.5" woofers :-) I consider a 10" woofer to be the smallest size for a speaker to be considered large, and 12" or 15" is preferred.

Alright, maybe this 4-way with a 12" will interest you: http://www.donhighend.de/?page_id=4005

But I agree that PA plans are a viable alternative can be Hifi, too.

Re: History of the Nautilus loudspeaker

#112

Earlier quoted context omitted.

This trope that ‘the best audio product for you is a highly subjective personal choice’ directly contradicts decades of well-established science, and is a long-standing myth that plagues this industry — and not coincidentally, serves to sell a ton of over-expensive garbage to under-educated (by design, via marketing bunk) consumers. If you read ASR’s materials on headphone science and the HD800S review in particular,…

I think you missed the perfectly valid critique, that sennheiser sub bass roll off very quickly. An eq filter won't fix this without distorting sound.

I didn’t miss it; it’s just not valid. (1) The HD800S is actually not as highly regarded as you may think on ASR because these issues do show up in the measurements and are pointed out in the review (did you read it?), but also (2) the HD800’s issues are indeed very much fixable with EQ, and I can confirm this subjectively with direct experience with my HD800S.

I hope you’re not thinking I’m advocating a crude N-band equalizer to broadly boost the bass and reduce the treble to fix the HD800’s thin-ness and brightness. I’m talking about very precise filters that the community has optimized mathematically to fit the measured response to the ideal Harman target curve: https://www.audiosciencereview.com/forum/index.php?threads/s...

There is no reason scientifically to believe this wouldn’t work, other than the maximum driver excursion and distortion limits of the headphones. Fortunately the HD800S bass is extremely clean and undistorted, and they respond really well here. I’ve tried this with other headphones, and most cheaper headphones do struggle greatly, while the HD800S sub-bass is extremely impressive, clean, and powerful when EQ’ed in this way. And even more importantly, this works wonders to smooth out peaks in the treble that sound too harsh to be prior to EQ.

Even if it couldn’t be fixed with precise EQ though, this is still something we can measure objectively via max SPL and distortion vs frequency tests. For example, another highly regarded headphone is the Focal Clear, and it unfortunately has severe bass SPL / driver excursion limits that rules it out from being corrected in this way.

Of course it’s a fair criticism that such expensive headphones should require EQ at all! And the HD800S are indeed criticized in this way on ASR! Sadly though, it seems virtually all headphones do require EQ to sound remotely near their maximum possible sound quality potential, in terms of their physical capability. I personally love the HD800S for a number of reasons, but one of them is extreme comfort (which definitely is subjective), but I will be the first to admit their sound is painful to my ears until corrected with EQ.

Re: History of the Nautilus loudspeaker

#113
post #16

Never heard these myself, but I remember that Nautilus speakers were used in an MP3 listening test by the German c't magazine in 2000[1]. Conclusion: > In plain language, this means that our musically trained test listeners could reliably distinguish the poorer quality MP3s at 128kbps quite accurately from either of the other higher-quality samples. But when deciding between 256 kbps encoded MP3s and the original CD,…

Honestly, these days drives are so large compared to even FLAC that it's not worth worrying about if an MP3 would be just as good, IMHO.

I'm quite certain I can't tell the difference between flac and mp3 v0, but I keep all the music I care about in flac. I don't know what lossy formats will have mainstream support in 10-20 years, but I know I will be able to transcode flac to them.

Re: History of the Nautilus loudspeaker

#114

Earlier quoted context omitted.

Can you list the far better speakers?

The “Speaker Rankings” tab here is useful: https://www.audiosciencereview.com/forum/index.php?pages/Spe... Otherwise, let me know your price range and size constraints, and I’ll refer you to the best engineered (with subjective impressions that back it up) speaker you can get. Note that generally to get good bass response you need larger speakers due to the laws of physics, but more exotic construction can push these…

I'm totally ignorant in this area, what would you recommend for general use speakers for a living room that can be sync'd to an iPhone or TV for <=$2k? Thank you.

Re: History of the Nautilus loudspeaker

#115
post #38

Best high-end audio for at home: https://www.boesendorfer.com/en/pianos/disklavier-edition If you do not have the time and talent to play it yourself, you can listen to Horowitz or others playing live in your home on a real piano.

The real deal is certainly unbeatable, but even then you could have the best concert grand installed in your house and it would still not sound nearly as good as the one sitting in the middle of a massive concert hall expressly designed for this purpose.

I would have to wonder if a high quality recording of a piano in a proper setting would be more compelling to certain listeners than a live performance in a less ideal location.

I have an upright piano at home that I play on occasion, but I much prefer how the full-size concert grands sound in the big concert halls. I certainly enjoy the act of reproducing music with my own hands more than listening to someone else do it, but from a purely acoustic standpoint there are tradeoffs.

Re: History of the Nautilus loudspeaker

#116

On one hand I like spare-no-expense halo products like this. They are fascinating, at least visually. On the other hand this is why the hi-fi hobby is dying. With products like this, we promote the idea that high fidelity audio requires all sorts of exotic equipment that few can afford. The happy reality is that excellent audio reproduction can be achieved without spending much money; certainly less than a modern gam…

>On the other hand this is why the hi-fi hobby is dying.

The actual hobby (active music listening) is dying because it has a lot of competition in the entertainment space. That's why these days good speakers often part of home theater or computer setups, with a screen in between instead of standalone systems just for music listening.

>The happy reality is that excellent audio reproduction can be achieved without spending much money;

Indeed. But people often buy for social reasons, to boast in forum threads or to belong to a circle of elitist in those communities, it's also a status game.

Re: History of the Nautilus loudspeaker

#117

Earlier quoted context omitted.

This is true. I'm going to make a vast oversimplification here, but a rule of thumb is that a lot of the well-regarded DIY kits on the market compare well with retail speakers that cost 2-3X as much. Some examples: https://www.parts-express.com/speaker-components/speaker-sub... https://www.diysoundgroup.com/home-audio-speaker-kits/home-a... https://meniscusaudio.com/product-category/speaker-kits/ etc.

What kind of bugs me is that there really aren't any kits and very few DIY designs that match the kind of speakers I really miss, at least not ones focused on home audio. Those speakers being the old-school big boxes with 12-15" woofers, sometimes multiple and usually 3-way designs, sometimes 4-way. Large, heavy, imposing and punchy, big speakers for big music. I know modern speaker drivers have come a long way, but…

This has always seemed interesting. Bill Fitzmaurice has made a career of developing horn-loaded systems, which are tricky to design.

https://billfitzmaurice.info/David.html

There's a series of PA cab designs called fEarFul, that incorporate the newer 12" and 15" woofers from Eminence. You might have to dig around to locate the actual design data, but I do know that the designs were carefully tweaked and are stoopid loud.

In my own case, I worked out what SPL I actually need for my listening tastes, and chose a suitable woofer by keeping an eye on the close-outs at Parts Express. The drawback is that my designs are irreproducible because the parts are sold out. But they're also not worth publishing. The benefit is that the prices are often pretty compelling.

Lower specs also reduce the requirements for the tweeter and any other components such as crossover.

Re: History of the Nautilus loudspeaker

#118

Earlier quoted context omitted.

The “Speaker Rankings” tab here is useful: https://www.audiosciencereview.com/forum/index.php?pages/Spe... Otherwise, let me know your price range and size constraints, and I’ll refer you to the best engineered (with subjective impressions that back it up) speaker you can get. Note that generally to get good bass response you need larger speakers due to the laws of physics, but more exotic construction can push these…

I'm totally ignorant in this area, what would you recommend for general use speakers for a living room that can be sync'd to an iPhone or TV for <=$2k? Thank you.

For speakers, I’d recommend a pair of Revel M106 (or M105) for ~$1500 new (on sale price, which you can negotiate with dealers usually) plus a ~$500 AVR or integrated amplifier capable of wifi music streaming and HDMI ARC support for TV connectivity, like a Sonos Amp or any of Denon’s AVR products (more on this below).

( ASR measurements + review of the Revel M106: https://www.audiosciencereview.com/forum/index.php?threads/r... )

There are possibly better quality speakers to pick from in this price range (e.g. Genelec 8330A, however this trades off some bass power which you probably don't want unless you have a subwoofer), but to connect these to your TV and streaming music simultaneously requires a more expensive AVR (Audio Video Receiver) that supports unamplified audio outputs, costing around $1K (e.g. Denon AVR-X3700H). It’s ironic because the Genelec 8330A have built-in amplification and digital inputs but don’t accept power-amplified signals, which is significantly more advanced in many ways, yet this advanced nature makes it harder to integrate with TVs and streaming audio simultaneously simply because most AVR products for TV-speaker integration are geared towards “passive” style speakers like the Revel’s for complex and historical reasons. (For some strange reason buying an AVR that allows you to bypass its amplifiers via preamp outputs ends up costing more than AVRs where the amplifiers are always on.)

So for best connectivity in this price range, I’d recommend the Revel M106 along with a Sonos Amp. The Sonos software experience is by far the best at seamlessly and automatically transitioning between wifi streaming music and TV use modes, works natively with Spotify and almost every other music app, as well as having a good app of its own.

However the Sonos Amp (and Sonos Port product which produces unamplified outputs, but for some strange reason omits the HDMI audio input the Amp has, unfortunately, so doesn’t integrate with a TV well) both lack the ability to calibrate bass to your room, which is very important if you plan to upgrade to speakers and/or subwoofers with deep bass, where EQ calibration to the room’s resonant frequencies is essential for best results.

If you want to be a little more future-proof and feature rich, and also be open to multichannel home theater in the future, a modern Denon AVR receiver with Audessy room calibration capability and “HEOS” Music streaming is also really good, but it gets complex as there are a lot of choices and depends on how “future proof” you want to be. And they tend to be fairly bulky.

Note that I’m assuming you want to be able to use the same pair of speakers for both TV output, and for music streaming when the TV is off. This significantly complicates the electronics, and few products get the user experience here right. If you’re willing to manually use a remote or buttons to switch modes, or dedicate the speakers to either exclusively streaming music (controllable from your phone of course), OR TV audio output (which via Spotify TV app can sometimes be sufficient for music too), then much simpler and cheaper options are available.

Re: History of the Nautilus loudspeaker

#119
post #84

Earlier quoted context omitted.

ASR is good for graphs and stuff if you know how to interpret things. One thing worth bearing in mind for people new to Hi-Fi audio is that the experience is very much subjective. That people’s tastes, wants and desires in music and listening experience differ wildly. That while a loudspeaker pair or headphone may measure or perform objectively well, it may not pair up well with your particular taste, or with your mu…

This trope that ‘the best audio product for you is a highly subjective personal choice’ directly contradicts decades of well-established science, and is a long-standing myth that plagues this industry — and not coincidentally, serves to sell a ton of over-expensive garbage to under-educated (by design, via marketing bunk) consumers. If you read ASR’s materials on headphone science and the HD800S review in particular,…

>I own the HD800S and if it wasn’t for the scientifically derived EQ filters some community members have developed, I would be entirely unable to listen to them for the reasons exactly as you describe. But once the EQ is applied fixing their FR curve to the Harman target curve, suddenly the sound signature dramatically changes from unlistenably painful (for metal music, for example) to perfectly balanced sound.

That's why I prefer flat, little coloured gear (IEMs in my case) and do minute adjustments in EQ if I really must. I've got enough of a wide range of styles I listen to in any given time frame that I would get more bad than good from gear with a strong signature. I've been happy with my Etymotic ER4.

Re: History of the Nautilus loudspeaker

#120

On one hand I like spare-no-expense halo products like this. They are fascinating, at least visually. On the other hand this is why the hi-fi hobby is dying. With products like this, we promote the idea that high fidelity audio requires all sorts of exotic equipment that few can afford. The happy reality is that excellent audio reproduction can be achieved without spending much money; certainly less than a modern gam…

>On the other hand this is why the hi-fi hobby is dying. The actual hobby (active music listening) is dying because it has a lot of competition in the entertainment space. That's why these days good speakers often part of home theater or computer setups, with a screen in between instead of standalone systems just for music listening. >The happy reality is that excellent audio reproduction can be achieved without spen…

    The actual hobby (active music listening) is dying because it has a lot of competition in the entertainment space.
Yeah, this is probably a bigger problem than the perception of hifi being strictly a rich man's game thanks to $50K flagship speakers.

But, I do think that perception is one of the biggest issues.

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