Why does every advert look the same? Corporate Memphis
31–40 of 195 posts
Re: Why does every advert look the same? Corporate Memphis
#32Re: Why does every advert look the same? Corporate Memphis
#33I love designers criticizing design used for business. It rarely incorporates any perspective on business objectives. As long as the design is achieving its goal then who cares?
Re: Why does every advert look the same? Corporate Memphis
#34It’s largely driven by corporations trying to be as broad and inoffensive as possible. Not sure what skin color to use? Make them blue. Are your depictions of humans too thin, or too ableist? Make them misshapen blobs so nobody can tell. Not sure how to include non-binary representation? Just make them all genderless.
Re: Why does every advert look the same? Corporate Memphis
#35The name refers to how it resembles the work of https://en.wikipedia.org/wiki/Memphis_Group
For visual reference, Evan Collin's Are.na block is the most cohesive collection of this aesthetic I've found online https://www.are.na/evan-collins-1522646491/memphis-general-g... . The Memphis-esque style is definitely having a moment. You'll notice that the Chillwave aesthetic borrowed a ton of visual cues as well.
Re: Why does every advert look the same? Corporate Memphis
#36> “Isometric perspective is interesting, because nothing recedes to a vanishing point,” Rudnick says, “and therefore it also eliminates the variable of time.” He points out that this type of design is particularly popular with fintech and mortgage companies – playing down the passage of time is particularly advantageous to firms selling financial products that you may end up paying off for years.
seems like it’s reading a bit too much.
Re: Why does every advert look the same? Corporate Memphis
#37Re: Why does every advert look the same? Corporate Memphis
#38Re: Why does every advert look the same? Corporate Memphis
#39Re: Why does every advert look the same? Corporate Memphis
#40I hate Corporate Memphis as much as the next person but > “Isometric perspective is interesting, because nothing recedes to a vanishing point,” Rudnick says, “and therefore it also eliminates the variable of time.” He points out that this type of design is particularly popular with fintech and mortgage companies – playing down the passage of time is particularly advantageous to firms selling financial products that y…