What a distasteful opening of an otherwise interesting article.
As if some patriarchal conspiracy was forcing classical composers like Mozart and Beethoven down people’s throats... No, most simply listen to their work being enamored by the virtuosity and talent of these people who lived centuries ago. Framing their work in the context of contemporary American identity politics is very cheap journalism, and distasteful.
And let’s not conflate classical music with postmodern experimental electronic music either. They don’t belong to the same league. I do appreciate both genres, and while we can argue about the subjectivity of art all day long, there’s a reason why the former enjoyed wide acclaim throughout the eras, while the latter remained an obscure academic interest.