> These toys carried strong messages about girls’ expected roles in society. It's sad to see this Critical Theory nonsense trickling into real disciplines. Children play pretend, and they dress their dolls like their mothers and other people they admire. It's not an insidious plot, it's a culture and youthful admiration. If you can look at a toy a child loves so much that they were buried with it and see a ploy by so…
> It's sad to see this Critical Theory nonsense trickling into real disciplines. Are you posting from the ARPAnet? I ask because as a take this is 40 years out of date. Feminist analysis as applied to archaeology has a pretty solid history : https://en.wikipedia.org/wiki/Feminist_archaeology The thing about archaeology is the objects of its study are things made by people who happened to be living in a society (ok so…
1) Critical Race Theory as a mainstay of scholarship is relatively new it it's broad intervention into all disciplines.
2) The 'big misrepresentaion' in your thesis is that you're alluding to some of the material value in the CRT lens (a kernel of truth) to posit it as the lens through which we should be understanding everything (the article used only CRT language to describe the dolls - nothing else).
3) By your own assertion, we're having to make some very broad assumptions about culture in order to draw conclusions, but in reality there isn't enough information to draw upon.
The assertion made in the article that 'Dolls are used to reinforce genders stereotypes' is a secondary artifact of the dolls, and frankly it's an insult to scholarship because it has little to do with the dolls directly.
Dolls were toys, used for a variety of reasons, the fact that those activities possibly reinforced gender roles is a secondary artifact. To represent that as 'the first truth' of the dolls is the giant CRT lie.
A female commenter here on the board gave some insight when she indicated: "She used the dolls to mimic her mother" - which is something I never would have thought of. Now that's thoughtful. What we could infer from these dolls from antiquity is possibly how little has changed.
The dolls, more than anything are probably just a reflection of society as a whole - like everything.
By CRT logic, the first thing we should say about 'The Mona Lisa' is that Da Vinci was 'Reinforcing Gender Stereotypes of Feminine Beauty'
The Statue of David? Michelangelo was 'Reinforcing Gender Stereotypes of Youthful Masculinity'
Yes - there are elements of validity in CRT, but as soon as you start with that hammer, everything crumbles into nonsense.
The article, as it stands, is rubbish, it has no intellectual value other than to give us a few nice photos to glean our own understanding.