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What I Worked On

paulgraham.com

221–230 of 421 posts

Re: What I Worked On

#221

Great article, especially the ending sentence cracked me up. pg is such an inspiring person. Walking away from $2M per month at Yahoo. To now most likely being a billionaire from personally funding the YC LLC. And then spending 6 years just painting, coding, writing and raising a family. Living the dream. Sure Elon Musk is a “cool billionaire”, but in my book pg is even cooler.

Infinitely cooler. Where the hell is Elon Musk's "On Lisp"? :-)

Re: What I Worked On

#222
I dont know what this does to you, but every time I read a PG essay I get an urge to write. This is a very virtuous habit, that allows one to have continuity.

Thanks PG again for a nicely written arc (pun intended), for the somehow diffuse encouragement to write a log, and good luck with what comes next! (if you come up with an august (both meaning implied, the month and the adjective) clubhouse written in bel with only a text interface, please send an invite my way) :-) cheers, F

Re: What I Worked On

#223
Thanks for sharing your personal journey, Paul. Those here who have followed some of your work will appreciate getting a connected narrative.

Would you consider sharing some of your paintings as part of your essays?

I particularly appreciate your strong desire to attain freedom in life (as opposed to, say, getting rich as a primary motive).

What's next? You know how to do things at scale, perhaps after "Y Combinator" it's time for a "π Educator" [1]? Whatever your pick, I'm sure it will be worth following your journey onwards.

[1] παιδεία or paideía is Greek for "education"

Re: What I Worked On

#224
post #127

Earlier quoted context omitted.

The world is non linear, with discrete inflection points. Some of those points are outside of your control, but some are points where you made an important decision that correctly anticipated a non linear outcome. All positive non linear outcomes take time to compound, however, hence why you can’t connect the positive dots until enough time has passed to look back.

What do you mean by non linear there?

The distant past has a disproportionate effect on the future.

Re: What I Worked On

#225
post #217

Earlier quoted context omitted.

I think people have different definitions of "upper class". Maybe "Upper-middle class" would have been a better term, since pretty much everyone in the U.S. calls themselves some flavor of middle class. But my point is is that most people are not doing nearly as well financially as a mathematician/manager working at Westinghouse modeling nuclear reactors[1][2]. For example, 70% of americans have less than $1,000 of s…

I agree. The question is whether they were above or below the financial threshold where kids know they'll be fine no matter what they do, and so are freer to take risks and pursue their interests. That's a popular argument to make about entrepreneurship being a class privilege, for example showing up in many comments in this thread. I don't know where that line is, but my impression is that people making this argumen…

What do you think about the idea that it's a generational mindset? What motivates me more than anything else is the fear that I'll never own property, and I'll have to live with roommates or a have a very long commute for the rest of my life. It's hard for me to get over this because it looks like that's just mathematical reality. There's not many careers that provide a decent lifestyle anymore so I don't have the opportunity to fail. I want to be wrong though

Re: What I Worked On

#226

> But there's nothing like writing a book about something to help you learn it. This is the motto of silicon valley if I've ever heard it—all the good parts and bad parts smushed into a singular brand. The bad parts are pure narcissism; the good parts are more or less asking "am I doing harm by investing in this predatory business"? Unfortunately, the answer is mostly "yes".

The "motto of silicon valley" is that...writing a book about something is a good way to help you learn it? That's kind of an unexpected take.

Lots of people who've written books, including good books, have made this observation btw. That's because it's true. I've heard some of them say it personally.

Re: What I Worked On

#227
What struck me most about this essay is the privilege required to make it all possible. From educational institution to educational institution changing focus and whimsically studying other fields without much care for how to make a living or how it all would be paid for. Perhaps just omitted from the story because it wasn't relevant or doesn't need explaining.

Kids these days sure don't have it so lucky, and if they do, well then they probably already hit the jackpot at birth.

How many fewer pgs will we have tomorrow because of the financial burdens and inefficiencies of higher education today?

Re: What I Worked On

#228
post #168

This essay is very long. It would benefit from at least a summary at the top of each paragraph so you could scan through and read what you found interesting if you didn't have the time to read the entire essay. Quick check over 13500 words. At 500 word per page that's 27 pages. I am coming up (again quick check) with 45 minutes to read this (including footnotes). [1] [2] Are 'Trevor Blackwell, John Collison, Patrick…

I read the whole thing. I thoroughly enjoyed it. It didn't feel like 27 pages.

Re: What I Worked On

#230

All this time spent going in and out of the art world makes me wonder if there is any kind of art grant program going on in YC.

I think it's fair to say that the art world's way of thinking didn't rub off on Graham. It's not clear to me that he ever had a genuinely creative attitude to art making. He didn't get the art world and it didn't get him. As a technical term, "art world" refers to the professionalized aspects of art production—and explicitly not the business of actually working on your art or training as an artist. It's the nonsense…

Art is my career and trust me, the "nonsense and PR side of art" is an important part of making it work. One I am absolutely terrible at and do the bare minimum I can get away with, because it's just not fun, and because getting good at it requires some very different mindsets from getting good at art.

Anyway. I think Paul Graham should think about his time trying to be an artist, take some of the absurd amounts of money he's throwing around for YC and put, like, one company's worth of investment into a bunch of artists. I volunteer myself for the pilot program. :)

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