Earlier quoted context omitted.
The thing that changed for Gene was that he no longer had a day job. When he was working, he'd get up at 5 am to writer for two hours before leaving for work. The whole of the Book of the New Sun was written that way. Which meant there was a certain commercial pressure to sell books, and I think his consistency flagged. I worked at Tor in the mid-to-late 1990s. I don't think that Hartwell just accepted anything he se…
that's interesting. I wonder if the stimulus of a day at work with people and interactions and pressure and more could make something more meaningful come out. Sort of like a little external entropy added to the random number generator.
I think someone like Thomas Pynchon shows that an author can very well be producing very good work well into the old age. There are rumours about him being both a professor or exCIA but I’m sure he’s been reasonably well off since the late 70s. While I haven’t read Bleeding Edge, his most recent novel, Inherent Vice is wild and excellent.
Maybe keeping a job keeps a writer honest or at least in the public watching and note taking. But I don’t think this is always true and it would be heartbreaking to take the dream away from everyone about ever becoming a full-time novelist.
I also don’t think making great art is easy. A few family deaths and accumulated illnesses and bad experience can really do a number on people. Not to suggest that this is Wolfe but there are many factors at play.