Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
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Re: Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
#2Re: Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
#3Here's a better article on the process:
http://findarticles.com/p/articles/mi_m1248/is_n3_v81/ai_136...
Re: Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
#4Re: Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
#5I found the final frame (http://www.artrev.com/art/detailview.asp?pid=8877781318&...), but I'd like to have the whole series.
Re: Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
#6I'm not convinced.
(This is not an expert's comment, I know nothing about modern art)
Re: Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
#7Re: Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
#8"...that it captures the absolute essence of the creature in as concise an image as possible" I'm not convinced. (This is not an expert's comment, I know nothing about modern art)
I would guess that he made a plate XII where he simplified further by removing the balls or horns, and then realized that it was no longer the image of a bull.
Re: Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
#9The sad truth is that the majority of people would prefer the "verbose" version, no matter how genius is your cut-down version. Same in software engineering: nobody cares how beautiful and concise your code is, you are paid only for the results.
20th century art is a little different because the process is part of the exposed product - the art piece here is not the last plate (which would be a bit boring on its own), but the whole sequence.
Re: Pablo Picasso's version of refactoring: Reducing a drawing to 12 perfect pen strokes
#10That's a lithograph, not a sketch as the title would suggest. All of those were actually made by adding material back to the carving. Here's a better article on the process: http://findarticles.com/p/articles/mi_m1248/is_n3_v81/ai_136...
Indeed, Picasso seems to have put into practice here an idea he had expressed a few months earlier when speaking of one of his paintings: "If it were possible, I would leave it as it is, while I began over and carried it to a more advanced state on another canvas. Then I would do the same thing with that one. There would never be a |finished' canvas, but just the different |states' of a single painting, which normally disappear in the course of work."(4)