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CAPTCHAs don’t prove you’re human – they prove you’re American (2017)

shkspr.mobi

11–20 of 700 posts

Re: CAPTCHAs don’t prove you’re human – they prove you’re American (2017)

#11
post #10

The crosswalks Captcha provides the most difficult cultural discrepancy for me. Some US crosswalks look like European "forbidden for all traffic" road markings. Pretty much the opposite of a crosswalk. I always have to do a double take on those.

And in India, they are commonly refereed to as "Zebra Crossing". No one refers to them as cross-walks and most have no idea about that term.

Same in the UK and most commonwealth countries I think

Re: CAPTCHAs don’t prove you’re human – they prove you’re American (2017)

#12
As a blind person with english as not native language, the audio captchas are pure hell. I can't imagine other visually impaired people who don't know english at all and have to deal with a lazy website which dumps them the default english audio captcha if there is audio at all.

Re: CAPTCHAs don’t prove you’re human – they prove you’re American (2017)

#15
Anyone with a half functioning brain can figure out which ones are the taxis. Taxis are not yellow in my country and I would have no issue picking those out. They have the very distinctive sign on the roof that no normal car has.

Not even OP was confused by this, they are just complaining on the behalf of some theoretical person who might get confused.

Re: CAPTCHAs don’t prove you’re human – they prove you’re American (2017)

#16
post #10

The crosswalks Captcha provides the most difficult cultural discrepancy for me. Some US crosswalks look like European "forbidden for all traffic" road markings. Pretty much the opposite of a crosswalk. I always have to do a double take on those.

And in India, they are commonly refereed to as "Zebra Crossing". No one refers to them as cross-walks and most have no idea about that term.

Zebrastreifen in Germany.

Re: CAPTCHAs don’t prove you’re human – they prove you’re American (2017)

#17
post #13

It always amazes me that we as a society insist on using ambiguous words ("crosswalks" or otherwise) when there is an option to use an unambiguous option.

It often happens with things designed and made in the USA. It is assumed that the terminology or customs of the USA apply to the rest of the world, when it's often not the case.

For example, their bizarre date system. Widespread use of state abbreviations and timezone abbreviations that are only known in the USA. "Zip code" on forms for customers in New Zealand or India or France.

Re: CAPTCHAs don’t prove you’re human – they prove you’re American (2017)

#18
post #7
post #5

Earlier quoted context omitted.

What the hell is a crosswalk

What the hell is a chimney

A ventilation structure primarily for dispersing smoke from a fire or furnace. I think you call it a "smoke stack" in the USA.

Re: CAPTCHAs don’t prove you’re human – they prove you’re American (2017)

#19
post #3

In my country (UK) taxis are not yellow either (although yellow is a common colour for taxis throughout the world) but I am still able to guess which pictures are of taxis when the other options are of palm trees and a van. I think that's the point of these captchas. The average human being has no problem passing the test even if they are not 100% familiar with all the details. There is obviously a limit and indeed p…

Around here the van is more likely to be a taxi than any car. So,... no. The cultural bias is nauseating. I've never yet managed to identify a crosswalk. I frequently fail at busses. All this click-click-click on items mysterious is just exhausting and leaves me feeling drained and dehumanised. These days if I see one I generally just bounce. It's less humiliating that way.

> I've never yet managed to identify a crosswalk. I frequently fail at busses.

Yeah, images are hard and already solved by AI, anyway. At least on specific domains where there is training data.

New captcha idea - the Turing test. Detect if a passage is written by human or AI. If you can't get in, it means we reached AGI.

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