Earlier quoted context omitted.
> No they have not made it worse. 1080p encoded at lower bitrate can look better than 720p at a higher bitrate. Or vice versa. Even to the trained eye. It depends on the scene dynamics.* Well, of course that's correct. Take 1080p encoded at 100 Mbps and 720 encoded at 300 Mbps, I guarantee you that 1080p wins every time. :-) > In the ladders they posted (called a RD chart) we can clearly see they have made a better s…
> Reread my original post carefully - my point is that if you're stuck with 1080p as the maximum resolution, than the quality you can get with the revised ladder is strictly worse, because Netflix will want to jump up to UHD resolutions, but your device won't support it. These are for their HEVC encodes. Apple (and most others) require H264 to have a separate ladder which will be 1080p limited and will be generated o…
Really? I wasn't aware Netflix even offered anything other than H.264 at > VMAF does correlate pretty tightly with subjective metrics. This is a very detailed subject, I summed up many of my thoughts on the differences in my demuxed talk last year here: https://www.youtube.com/watch?v=nCUsXhSPyyw
Thanks, I'll check that out when I have the time. I'd still emphasize that it's quite possible for objective metrics to be fooled (that's why codecs have psy tunings!), and I do prefer several "old-ladder" images over the newer versions in Netflix comparisons here. I suppose I've become rather cynical about claims made on the basis of metrics ("now 50% less bitrate for the same quality!"), when to my eye, web video has always been very bad and is getting worse as companies keep reducing the bitrate.