131–140 of 861 posts
Don’t people write and listen to entire albums anymore? When I listen to music, I almost always listen to entire albums, not individual songs.
Few artists have whole albums worth listening to.
Earlier quoted context omitted.
Let's be honest. The amount Spotify/Pandora/et al pay the majority of musicians per stream is far more than they'd make selling CD's. The overwhelming majority of music is unknown, has few fans, and will never "go platinum" nor sell out stadiums - ie, most musicians are not Taylor Swift. For all those artists... access to millions of potential listeners from around the world is an amazing advancement. The number of a…
This might be true if Spotify's monetization was distributed fairly, but instead it's basically redistributive to the biggest players. In short, instead of splitting a person's premium payment equally among all the artists they listened to, it's split among all artists on the platform. E.g. if Lady Gaga is 2% of all Spotify plays in a month, they get 2% of the money, even if you personally didn't listen to Lady Gaga…
It probably gets complicated w/ ads vs premium subs, but if I was 1 subscriber and there were 100 total subs, and I listened exclusively to 1 artist, but 99 other people listened to a different artist... the artist I listened to gets the same amount if they get 100% of my fee or 1% of the total fees, right?
I guess users with idle subscriptions is another edge case here.
Earlier quoted context omitted.
>> The music isn’t your product, the music is your marketing. The shows, the merch, your influence - that’s your product. > Man, that's depressing. If the CEO of an open-source company said, "Software isn't our product, software is our marketing", would you feel the same way?
Music is different from software in my mind. Software, with rare exceptions, is solving a problem—music is not.
Obviously the guy knows nothing about creativity and art. It takes time to grow as a person and cultivate new ideas. It may not be possible to do that if you don't get in and out of whatever it is you're doing. Imagine telling Hemingway he has to release a new blog post every week instead of a book every couple of years.
What’s especially funny about your example is Hemingway wrote for periodicals as a day job for a long time, and so he kept that kind of schedule. Except some of his books came about because he didn’t keep to that schedule, and we don’t usually talk about Hemingway for his articles in the Toronto Star.
But anyway my point was more about producing significant and valuable work.
So many bands lose their creative spark after the first album or two, and it's exactly because of this mentality. I'd rather have one album of music carefully curated over 4 years than four albums than have 4 albums rushed out over a year. The creative process takes time. If you just rush out the next album you're probably just adding onto the already massive heap of formulaic uninspired music. I'm not saying you can…
I used to work in the music industry professionally, on the ground level doing booking and management. This trend has been happening slowly for nearly a decade but it’s finally here. Rap and Hip Hop figured out a long time before most other genres that rapid small releases was a far better way to keep hype and sales up. Before Spotify was a thing, the shift was happening with YouTube but it wasn’t as predominant. Now…