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Why we listen to new music

pitchfork.com

21–30 of 166 posts

Re: Why we listen to new music

#21
"The Rite" may have been technically groundbreaking, but it sounds TERRIBLE. We've seen plenty of artistic experimentation over the centuries leading to new artistic genres, but early experiments like these are almost always awful. It takes someone with skill in aesthetics to turn the new into the beautiful, and it's rarely the inventor who does this.

Re: Why we listen to new music

#22
post #16

Since internet I listened to all new music from the 20th century. A lot of "old music" from foregone age was new to me. So new music is a relative term. However, and that is my personal opinion, most new music from 2000-2020 I think is total utter crap, I rather listen to something from 1914 with horrible sound quality than something from 2014.

[deleted]

Re: Why we listen to new music

#23

Listening to new music has got to do with openness and as we age we tend to be less open to new experiences. I think best way to listen to new music is not just about a new band or new albums but more about new genres. I used to not enjoy jazz, found it elitist and quite frankly I didn't even get it. About 10 years ago I started listening jazz and anything that's got mixed with jazz, like jazz-funk, or jazz fusion an…

I get what you're saying about openness, but I also think there's an immense matter of time involved. Music was an obsession for me from the age of 12, and I had time to be open for all of it. Thanks to a paper route, I bought my first turntable around then and my second a few months later. I was DJing parties within a year. I listened to music _constantly_.

It was ALL new to me. It was the early 90s at the time so that was all new to me, and all of the 80s music was relatively new to me. Everything before that was new to me. I had entire days to listen to all of it all the time: While I was on the train to / from school, while I was on lunch break at school, while I was on my paper route or eventually whatever other mindless teenage job I was doing, while I was failing miserably at understanding BASIC, while I was in my room drawing, writing, doing home work, or literally just sitting and listening to music - as a full-on activity.

And then the internet was just starting to get popular. Sure, it took an hour to download a wav file via modem, but it wasn't unheard of to download a few songs overnight (pre-mp3) from various sources. And then the next day we would talk about the new music, and I'd play it for my friends and they'd play what they found recently, and we'd talk some more, and then we'd head to the record store to find the best of it and more, and talk to people at the record store about it, and then pass it on to others and play the music at parties and so on.

I don't have anywhere near that much time on my hands now. I don't have that many people to talk about music with, nor do I have the time or inclination to talk about it with them.

I'm very fortunate to be working full-time right now, but I sure would love to take a couple months off to catch up on the last 10 years worth of music. It's pretty damn easy to be open to new music when you have the time to listen to everything and build a nuanced opinion.

On a completely related note, if I were a musician, I would do everything I can to release music far and wide right now. A lot of the world suddenly has nothing but time to consume music.

Re: Why we listen to new music

#24
Art (and music) is not something for endless consumption. Music is something we tie to our experiences, to our life, to times we've known, etc.

There's no real need to always seek new music, obsessively, unless you particularly enjoy to (or you have business reasons). You're not a bad person, or more shallow, or lesser art lover, for not doing so (in fact many very deep creators of art had a very limited set of artists and works they liked).

Having a set of songs, artists etc that speak to you, and you have grown into -- what most people do --, can be even deeper than endless "crate digging" and collection/consumption approach to music...

Re: Why we listen to new music

#25
Listening to new music is one of my favourite activities. Don't understand how people are happy to listen to the same old stuff - it must get so dull.

There's so much good stuff out there, and it's so exciting to find an artist, genre or new combinations of sounds I've not heard before.

Bandcamp is great for this – better than Spotify or Apple Music. You can explore by artist, genre tag, label, and by people who have bought/wishlisted an album. Plus there's lots of interesting smaller artists who are not on the bigger platforms.

Re: Why we listen to new music

#26
post #15

This from the website that built an empire on discovering and promoting new music - but today reviews Tik Tok videos [1] and treat Taylor Swift and Beiber like they are Richard D. James. [1] https://pitchfork.com/thepitch/tiktok-report-benees-supalone...

Methods of discovering and promoting new music change over time, especially compared to the peak days of a niche electronic music artist in the 90s.

Tik Tok is an absolutely massive recent source of new music growth [0], Taylor Swift and Beiber are absolutely massive artists with almost unparalleled influence across multiple genres, their riding of new vibes throws off tsunami wave effects.

They’re doing their job, and doing it well, the effects of giving their first 10 in a decade to Fiona Apple’s new album for example, you’re just not the target.

0 - https://www.rollingstone.com/music/music-features/tiktok-vid...

Re: Why we listen to new music

#27

Listening to new music is one of my favourite activities. Don't understand how people are happy to listen to the same old stuff - it must get so dull. There's so much good stuff out there, and it's so exciting to find an artist, genre or new combinations of sounds I've not heard before. Bandcamp is great for this – better than Spotify or Apple Music. You can explore by artist, genre tag, label, and by people who have…

I agree with this. We're in a golden age of access to small and/or unsigned artists who don't need to be in the top 20s to get their name out there any more.

I really enjoy exploring different genres of music and finding new albums I've not heard before and devoted subreddits have been my main source of that. For me, r/progmetal is a group of devoted fans who enjoy recommending prog metal artists and albums. Nowadays a band doesn't have to be super famous and have to have a CD in a store in order for me to be able to listen to them. I read a recommendation, fire up spotify and start listening asap.

Re: Why we listen to new music

#28
post #24

Art (and music) is not something for endless consumption. Music is something we tie to our experiences, to our life, to times we've known, etc. There's no real need to always seek new music, obsessively, unless you particularly enjoy to (or you have business reasons). You're not a bad person, or more shallow, or lesser art lover, for not doing so (in fact many very deep creators of art had a very limited set of artis…

You could easily same the same for movies, TV shows, games, cuisine, parks, or anything.

If you like something, there's nothing wrong with enjoying it again. It doesn't mean you should limit yourself to the things you know. Once in a while you find something that's better than anything you've encountered before.

Re: Why we listen to new music

#29
Does anyone else grow "numb" to a track after listening to it for a while? 400-500 plays seems to be the limit for me, and the period between plays doesn't seem to matter, after which it evokes no pleasing feelings, and even causes a little annoyance as if some part in the brain is "sore" from it.

Re: Why we listen to new music

#30

Does anyone else grow "numb" to a track after listening to it for a while? 400-500 plays seems to be the limit for me, and the period between plays doesn't seem to matter, after which it evokes no pleasing feelings, and even causes a little annoyance as if some part in the brain is "sore" from it.

me too! happened to me a while ago with Radiohead’s A Moon Shaped Pool, Kanye West‘s My Beautiful Dark Twisted Fantasy and Frank Ocean.

But after like a few months when our brains come back to “normal” stage again, the music seems to get back to usual

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