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Typography of Neon Genesis Evangelion

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11–20 of 114 posts

Re: Typography of Neon Genesis Evangelion

#11
I'm just excited to finally be able to read the fonts and Kanji/Kana.

When I first saw Evangelion - the text looked cool, foreign and amazing. I never thought there'd be one day when I would be able to read the kana phonetically and know what it means or actually recognize kanji.

Re: Typography of Neon Genesis Evangelion

#13

Typography is such an art I watched End of Evangelion for the first time in 15 years Still entertaining, great animation that stands the test of time, but wow I wish I can go tell my teenage self that it actually doesnt make sense, the symbolism has no point whatsoever but Judeo-Christian dogma is “foreign and cool“ and the writers eventually admit it and everyone had a good time making it

Anno isn't an idiot. This comment, while oft repeated, is simply not true. There is plenty of symbolism going on in the show. There is a lot of PoMo "mask on top of a mask" stuff going on with the biblical references, but some stuff is more on the nose. There are plenty of articles on this, including this one: https://reelrundown.com/animation/Symbolism-in-Neon-Genesis-...

I'm 99% sure that I read an interview in which Anno said that he included the Christian symbolism simply because he thought it looked cool. Of course, that doesn't exclude the possibilty of it still making sense somehow.

Re: Typography of Neon Genesis Evangelion

#16

Typography is such an art I watched End of Evangelion for the first time in 15 years Still entertaining, great animation that stands the test of time, but wow I wish I can go tell my teenage self that it actually doesnt make sense, the symbolism has no point whatsoever but Judeo-Christian dogma is “foreign and cool“ and the writers eventually admit it and everyone had a good time making it

NGE asked a lot of interesting questions about the nature of reality and humanity’s relationship to itself, but I think it intentionally left the answers up to the audience’s interpretation.

Not a bad way to go, but personally I felt was unsatisfying because I was a bit spoiled in having first seen Gurren Lagann, which I felt was far more concrete about the message it was trying to convey, and definitively answered one of the central questions asked by NGE: when a young person is forced into a desperate life-and-death situation, and comes to believe in the self that believes in them, what happens next?

Re: Typography of Neon Genesis Evangelion

#17

Typography is such an art I watched End of Evangelion for the first time in 15 years Still entertaining, great animation that stands the test of time, but wow I wish I can go tell my teenage self that it actually doesnt make sense, the symbolism has no point whatsoever but Judeo-Christian dogma is “foreign and cool“ and the writers eventually admit it and everyone had a good time making it

Anno isn't an idiot. This comment, while oft repeated, is simply not true. There is plenty of symbolism going on in the show. There is a lot of PoMo "mask on top of a mask" stuff going on with the biblical references, but some stuff is more on the nose. There are plenty of articles on this, including this one: https://reelrundown.com/animation/Symbolism-in-Neon-Genesis-...

ah yes the classic "but which symbolism" rebuttal. predictable, there are great plot points, but ultimately there is no deeper meaning to a lot of it. There are crosses for the sake of crosses, and there are crucifixions for the sake of crucifixions, there are crosses popping out of forehead vagina eye sockets for the sake of crosses popping out of forehead vagina eye sockets

Re: Typography of Neon Genesis Evangelion

#18

Typography is such an art I watched End of Evangelion for the first time in 15 years Still entertaining, great animation that stands the test of time, but wow I wish I can go tell my teenage self that it actually doesnt make sense, the symbolism has no point whatsoever but Judeo-Christian dogma is “foreign and cool“ and the writers eventually admit it and everyone had a good time making it

NGE asked a lot of interesting questions about the nature of reality and humanity’s relationship to itself, but I think it intentionally left the answers up to the audience’s interpretation. Not a bad way to go, but personally I felt was unsatisfying because I was a bit spoiled in having first seen Gurren Lagann, which I felt was far more concrete about the message it was trying to convey, and definitively answered o…

Gurren Lagann goes way off the rails in the last few episodes too. I enjoyed that as well. Never thought of it spoiling anyone from enjoying a trendsetting predecessor.

Re: Typography of Neon Genesis Evangelion

#19
I ('m apparently the last person in the world who) just watched this show for the first time recently. It had its cool moments and was an overall positive experience, but the reliance on outdated (even then) freudian ideas hurts it a bit. Not to mention the slideshows.

Re: Typography of Neon Genesis Evangelion

#20
post #13

Earlier quoted context omitted.

Anno isn't an idiot. This comment, while oft repeated, is simply not true. There is plenty of symbolism going on in the show. There is a lot of PoMo "mask on top of a mask" stuff going on with the biblical references, but some stuff is more on the nose. There are plenty of articles on this, including this one: https://reelrundown.com/animation/Symbolism-in-Neon-Genesis-...

I'm 99% sure that I read an interview in which Anno said that he included the Christian symbolism simply because he thought it looked cool. Of course, that doesn't exclude the possibilty of it still making sense somehow.

https://i.redd.it/07jfr8v44j631.png
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