Big deal! This is right up there with Adobe Premiere on Windows finally getting a ProRes encoder at the top of my list of "Things That Would've Helped My FilmTech Career Around 6 years ago". 1) We finally have a file system that works across operating systems, which is a big deal if you ever do anything in a multi-OS environment. 2) exFAT is heavily used in the film production world, and the convenience of knowing it…
If you're trying to recover video (which is one of the easiest types of data to recover, due to it being large, sequentially written, and bitstreams containing easily recognisable sync markers), and especially from a storage device that's being exclusively used for video, the actual filesystem doesn't really matter because practically all of the sane ones will store the file data in a contiguous range of blocks. Depending on the exact codec, you may even be able to dd the raw device into a decoder and it'll simply find the first valid sync marker and start decoding from there.