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Psytrance Guide

psytranceguide.com

21–30 of 220 posts

Re: Psytrance Guide

#21
post #12

Where is psydub ?

I suppose there is some overlap with psyambient and psychill. There was a time when not every genre had psy before it.

If you like that genre, I can recommend Ott's Hallucinogen In Dub remixes and his album Skylon [1]. I also like some specific tracks of Easily Embarrased and Koan but not sure which genre it falls under.

[1] https://en.wikipedia.org/wiki/Ott_(record_producer)

Re: Psytrance Guide

#22
I used to love listening to this all day while coding. But I've had to wean myself off it because I started feeling like my brain started becoming a bit messed up by it, compared to listening to just silence.

Re: Psytrance Guide

#23
I have just returned from one psytrance festival. I like to go there, not mainly for the music (which I like mostly), but for the atmosphere. Meeting all kind of different people and getting out from the usual "reality" and norms and rat race and jumping into crazines, relaxing the norms and trying new things. It is so refreshing, I always return home more happy and enthusiastic about life. And yes, people eat like tons of drugs at festivals, but I had never ever seen or experienced anything bad from people on trance festivals (which I can see everywhere where alcohol is the main drug). Sounds too hippy maybe, but that is my experience.

Re: Psytrance Guide

#24
post #22

I used to love listening to this all day while coding. But I've had to wean myself off it because I started feeling like my brain started becoming a bit messed up by it, compared to listening to just silence.

I’ve never liked to listen music to “pump me up”. I’m very fond of music, having been raised by a classical composer and a choral regent. Recently when I was experiencing anxiety due to the unexpected, untimely death of a pet, I used “lo-fi hip hop radios from YouTube. Precisely because it’s music that I wouldn’t ordinarily enjoy.

But: back then when Infected Mushroom and Skazi were top of the pops artists, I lived far away from work and had a long, boring, stuck in traffic bus commute. Psytrance excelled in making me feel alive at moments where I was basically stuck in a box.

That’s not how I need to feel at work, ESPECIALLY when it comes to coding. Maybe I’m not a super hacker type that just has programs flowing off his fingers — I have to think hard, even about naming functions and classes.

Re: Psytrance Guide

#25
Well I for one think Electronic Music has too many sub-genres. Like if you change the timing of the highhat or the type of synth you're using it catapults you into a different genre. Whats that all about? Why does it need to be so segmented?

Re: Psytrance Guide

#26
post #21
post #12

Where is psydub ?

I suppose there is some overlap with psyambient and psychill. There was a time when not every genre had psy before it. If you like that genre, I can recommend Ott's Hallucinogen In Dub remixes and his album Skylon [1]. I also like some specific tracks of Easily Embarrased and Koan but not sure which genre it falls under. [1] https://en.wikipedia.org/wiki/Ott_(record_producer)

As you mentioned Etnica in another post, Etnica in Dub is also highly recommended : https://etnica.bandcamp.com/album/etnica-in-dub

Re: Psytrance Guide

#27

Well I for one think Electronic Music has too many sub-genres. Like if you change the timing of the highhat or the type of synth you're using it catapults you into a different genre. Whats that all about? Why does it need to be so segmented?

I am in agreement with you. It seems it is more work than it's worth to develop this taxonomy.

Re: Psytrance Guide

#29

Well I for one think Electronic Music has too many sub-genres. Like if you change the timing of the highhat or the type of synth you're using it catapults you into a different genre. Whats that all about? Why does it need to be so segmented?

Metal is the same, often it's the true(TM) fans who come up with the micro-genres as a way to beat people over the head for not knowing that "foo" is "bar".

It's the pretentious of wine culture applied to music basically.

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