Pop music critic comes out against podcasts, in part because they aren't well produced.
Yet, what's really killing pop music, at least in part, is that so much of it, to my ears, is now an exercise in production techniques than it is about the music being produced. Ultimately, that "sounding right" is also simply an extension of fashion statement. True, that fashion in pop music has been more important than the actual music for a long time, but over the decades the music part of this has been diminishing in importance.
And frankly, it's pretty boring stuff out there these days mostly because of that emphasis on production values over the content. Everything is so homogeneous; yeah, old guy talking here, but I'm not exactly locked into a generation or genre in what I do choose to listen to, either...
I'm not a big podcast fan, either, though there are a couple I listen to if I have drive time. Still, much of that world, and some YouTube efforts, just seem so much more genuine to me.
Anyway, I think a pop music critic should likely be thinking about what's wrong with pop music that makes podcasts appealing by comparison rather than having sour grapes about a format that clearly is comparatively more desirable, regardless of what faults it may or may not have.