Earlier quoted context omitted.
I actually thought that there was some character development (like the Swordholder woman, I forgot her name). It's not "good" development but I think it's there. I also think that other parts of the series make up for it. Ofc, to each their own, books are subjective.
Interestingly I was thinking of her when I made the initial comment - I didn't mention her specifically, in order to avoid spoiling anything, but in my opinion she did not develop at all. Again, I don't want to talk specifically about any further events in the series, but to me, she didn't evolve at all as a character.
The Rise and Rise of Chinese Science Fiction
61–70 of 205 posts
Re: The Rise and Rise of Chinese Science Fiction
#62Earlier quoted context omitted.
Such as? Edit: especially curious about which topics folks think might be considered taboos in Western science fiction.
An Anti-Enlightenment message would be one. There's a lot to unpack there.
Re: The Rise and Rise of Chinese Science Fiction
#63Earlier quoted context omitted.
Wow. I couldn’t stand the first book of this series. Interminable, I never built any empathy for any of the characters. I’ve been told it gets better after the first book, but why would I subject myself to another book after my experience of the first? Anyway, to each their own, but as a huge sci-fi fan, I generally love the Hugo winners and nominees. The Chinese sci-fi that’s been nominated has all left me cold.
I had the same experience with the first book, and never proceeded further. I kinda wonder if it's a translation/cultural issue - the characters' decision making processes and the ways things were described felt very foreign to me.
Re: The Rise and Rise of Chinese Science Fiction
#64Earlier quoted context omitted.
Wow. I couldn’t stand the first book of this series. Interminable, I never built any empathy for any of the characters. I’ve been told it gets better after the first book, but why would I subject myself to another book after my experience of the first? Anyway, to each their own, but as a huge sci-fi fan, I generally love the Hugo winners and nominees. The Chinese sci-fi that’s been nominated has all left me cold.
I had the same experience with the first book, and never proceeded further. I kinda wonder if it's a translation/cultural issue - the characters' decision making processes and the ways things were described felt very foreign to me.
the book isn't a dramatic book - it doesn't follow a hero's journey or the typical greek style storytelling trope. It's more like a description of what happened. But i like that - the sci-fi elements described a pretty fantastical, concepts are fresh and original (however you can argue that it has been done before?!).
I feel that the book is bifurcated amongst readers who read for literary quality vs conceptual quality.
Re: The Rise and Rise of Chinese Science Fiction
#65I bet none of the books will tackle topics like censorship, big brother, and concentration camps for minorities
Re: The Rise and Rise of Chinese Science Fiction
#66Earlier quoted context omitted.
Wow. I couldn’t stand the first book of this series. Interminable, I never built any empathy for any of the characters. I’ve been told it gets better after the first book, but why would I subject myself to another book after my experience of the first? Anyway, to each their own, but as a huge sci-fi fan, I generally love the Hugo winners and nominees. The Chinese sci-fi that’s been nominated has all left me cold.
I had the same experience with the first book, and never proceeded further. I kinda wonder if it's a translation/cultural issue - the characters' decision making processes and the ways things were described felt very foreign to me.
I think the cultural differences wouldn't have been as apparent if they had anglicized names though, I had a hard time tracking the characters, was assigning some of the thoughts to the wrong people and things like that. I struggle with games set in Asia like Shogun Total War for the same reason.
Re: The Rise and Rise of Chinese Science Fiction
#67Cixin Liu's 'Remembrance of Earth’s Past' trilogy are the greatest sci-fi books I've ever read. I still remember when I picked the first volume and than patiently waited for a very long time for translations of the next books to arrive. The wait was well worth it. He manages to put his characters into seemingly insurmountable situations and it feels like he won't be able to write his way out of them but somehow he ma…
Completely disagree. The science was pretty good, for a pop audience, but there was zero character development - beyond Luo Ji, zero characters develop in the _entire series_. I don't want to spoil anything, of course, but you can pretty much decide the rest of the series based on what I've already written. Extremely disappointing.
Re: The Rise and Rise of Chinese Science Fiction
#68Earlier quoted context omitted.
I can’t parse this
it looks like he's posting from hong kong, and he is trying to avoid the Chinese government censors or get thrown in jail.
He may be posting from mainland China via a VPN that ends in HK though?
Re: The Rise and Rise of Chinese Science Fiction
#69Cixin Liu's 'Remembrance of Earth’s Past' trilogy are the greatest sci-fi books I've ever read. I still remember when I picked the first volume and than patiently waited for a very long time for translations of the next books to arrive. The wait was well worth it. He manages to put his characters into seemingly insurmountable situations and it feels like he won't be able to write his way out of them but somehow he ma…
Wow. I couldn’t stand the first book of this series. Interminable, I never built any empathy for any of the characters. I’ve been told it gets better after the first book, but why would I subject myself to another book after my experience of the first? Anyway, to each their own, but as a huge sci-fi fan, I generally love the Hugo winners and nominees. The Chinese sci-fi that’s been nominated has all left me cold.
I couldn't understand the appeal or relate to them at all. That said, I'm glad they exist, it's refreshing after so much copy-cat blandness in today's publishing.