Earlier quoted context omitted.
> I'm not an expert on the vision system but I would think, sticking to at most 2 different locations instead of 5, and mixing in vertical lines, horizontal lines, diagonals, corners, and circles might be work exploring. What you proposed here turns out very similar to the elements of Korean Characters. As an East Asian who is native to Chinese Characters, two-dimensional symbols are always more appealing to me. I st…
I'm impressed, If you remove the Kanji from Japanese, my reading speed goes down significantly. Though, as a native English speaker of course my English (alphabet) reading speed is faster than my Japanese (Hiragana/Katana) speed. What I do find very interesting though is that given I know all/most of the words in a Chinese dialogue, I have noticed that my Chinese reading speed is close to on-par with my English readi…
> I really wish Chinese was the international language. It's power and elegance always amazes me. Even more so as I get further into Chinese literature, poetry, culture, humor, etc.
It had been a dominating language/writing system for part of Asia, and we can still find its legacy in Vietnamese, Korean, Japan.
But I think "legacy" is the keyword here. As a software engineer, the Chinese writing system is not in a ideal shape at least for me. There used to be systematic ways/principles to create characters, but there has never been any sustainable approach to "maintain" some of the internal consistency. It's like stacking workarounds one after another, and it becomes what we see today. Users can just accept it without any efficient way to modify or even refactor it, not mentioning the burden and effort to create just one beautiful font design.