> There is something that still rings true of Mattheson’s general idea. We do tend to associate some musical features with being uplifted and others with melancholic reflection, both of which might afford a certain subsequent pleasure to listeners. I have always wondered if we know how much of the emotion associated with music is learned from culture. To put it another way, is a sad song inherently sad? Or is it sad…
I'm not sure if "cross modal congruence" is an actual term people use however, someone correct me if you know a more accurate label.