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Can Beethoven send takedown requests?

wikimediafoundation.org

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Re: Can Beethoven send takedown requests?

#3
There's really only one viable solution. If you want stuff to stay up, put it somewhere that won't let anyone take it down. No matter what. And isn't vulnerable to coercion. YouTube is not such a place, of course. For most purposes, torrents are good enough. Maybe BitChute. Or for sensitive stuff, sites on Tor .onion servers. Not Freenet, though, because that is a trip to jail, just waiting to happen.

Edit: OK, about Freenet. Yes, it is uncensorable distributed storage. And yes, it is arguably impossible to prove which nodes are storing what, and which nodes are accessing what. But it is possible to establish what a given node is sending and receiving, based on hashes. And if you get busted, you will be faced with the prospect of paying an expert to explain some seriously complicated stuff to a jury. And you will likely end up making a plea bargain. Even if you were entirely innocent.

If you're curious about Freenet's opennet content, there's only one "safe" way to access it. Do everything via Tor, and access Tor via nested VPN chains. Get yourself some Bitcoin, and mix it very well. Then use it to anonymously lease a VPS. Install Freenet on the VPS in headless mode, with its webGUIs as Tor .onion services. Now you can safely access whatever you like. Maybe the VPS will get busted, but tracking that back to you will be very hard. Also, to be safe, use Tor via Whonix. Work in a clone of the workstation VM, and nuke the clone after each use. And of course, have LUKS on the host machine. Maybe use a dedicated host machine, and wipe it when you're done, just in case. Seriously, Freenet is that radioactive.

Re: Can Beethoven send takedown requests?

#4
Given how quickly music becomes "old" I don't understand why copyright needs to chain up music any longer than two decades (I'm being kinda generous, some songs are old after a few months / one to five years). I hate the state of copyrighted works. Movies can stay copyrighted for a good 40 to 50 years, anything else is crazy. Books maybe 50 years too, but again, it's just crazy and clear that the extended years of copyright only benefit record labels and other publishing corporations, and not truly the artists / authors who get decent money, but it's mostly chump change.

Re: Can Beethoven send takedown requests?

#6
> “[…] thank you for contacting Google Inc. Please note that due to the large number of enquiries, e-mails received at this e-mail address support-de@google.com cannot be read and acknowledged”

Google's support in a nutshell.

Re: Can Beethoven send takedown requests?

#7

Given how quickly music becomes "old" I don't understand why copyright needs to chain up music any longer than two decades (I'm being kinda generous, some songs are old after a few months / one to five years). I hate the state of copyrighted works. Movies can stay copyrighted for a good 40 to 50 years, anything else is crazy. Books maybe 50 years too, but again, it's just crazy and clear that the extended years of co…

> Given how quickly music becomes "old" I don't understand why copyright needs to chain up music any longer than two decades

You say that but the Beatles, Elvis, Beethoven, Pink Floyd, Michael Jackson are all artists that had their heyday 30-60 years ago and are still the top selling artists. A lot of them are dead now because of varying reasons, but some are still alive and kicking and giving new performances of their 40 year old music.

Are you going to tell them they have no right to their own work anymore 20 years after they had one of their most successful releases?

Re: Can Beethoven send takedown requests?

#8
post #7

Given how quickly music becomes "old" I don't understand why copyright needs to chain up music any longer than two decades (I'm being kinda generous, some songs are old after a few months / one to five years). I hate the state of copyrighted works. Movies can stay copyrighted for a good 40 to 50 years, anything else is crazy. Books maybe 50 years too, but again, it's just crazy and clear that the extended years of co…

> Given how quickly music becomes "old" I don't understand why copyright needs to chain up music any longer than two decades You say that but the Beatles, Elvis, Beethoven, Pink Floyd, Michael Jackson are all artists that had their heyday 30-60 years ago and are still the top selling artists. A lot of them are dead now because of varying reasons, but some are still alive and kicking and giving new performances of the…

If anything I'm more for stripping record labels of their copyright, an artist can keep their copyright till they die for all I care. Their families shouldn't depend solely on one artist's income. There's many angles to copyright, it's a complicated subject cause of it, but we need to take away all the noise of it, this legalized censorship against allegedly copyrighted works doesn't actually work is the main issue. Most artists don't even care that their fans download their music until their record labels have them say otherwise. Artists from what I recall make more money selling merchandise and doing concerts...

Re: Can Beethoven send takedown requests?

#9
post #7

Given how quickly music becomes "old" I don't understand why copyright needs to chain up music any longer than two decades (I'm being kinda generous, some songs are old after a few months / one to five years). I hate the state of copyrighted works. Movies can stay copyrighted for a good 40 to 50 years, anything else is crazy. Books maybe 50 years too, but again, it's just crazy and clear that the extended years of co…

> Given how quickly music becomes "old" I don't understand why copyright needs to chain up music any longer than two decades You say that but the Beatles, Elvis, Beethoven, Pink Floyd, Michael Jackson are all artists that had their heyday 30-60 years ago and are still the top selling artists. A lot of them are dead now because of varying reasons, but some are still alive and kicking and giving new performances of the…

Do you still profit from software you have written for hire 20 years ago?

Re: Can Beethoven send takedown requests?

#10

Would human monitors work better than ContentID in this situation?

Even if we disregard the obvious costs of having thousands of people screening uploads all day long, I don't think it would work better. The humans will need to identify the content, and decide if it's public domain or not. This requires an infinite amount of knowledge, or a lot of googling.

I think a hybrid sollution (computer identifies the content, and if it is not sure about it being public domain or not, a human is used to give the final verdict) is probably the best compromise. But I expect that YT is already doing this.

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