Earlier quoted context omitted.
Many of the “cultural exports” are, however, essentially propaganda to glorify the power and righteousness of the American empire. History has proven that this “soft power” approach to be incredibly effective. After all, we still study and celebrate similar texts from the Greek and Roman empires, even though they’re 1000s of years dead. Much less so those who they conquered, exploited, and enslaved.
While Hollywood definitely takes into consideration foreign markets when making films, the idea that their agenda is to propagandize the rest of the world is laughable. They make what sells, because all they care about is making money.
>Files we obtained, mainly through the US Freedom of Information Act, show that between 1911 and 2017, more than 800 feature films received support from the US Government’s Department of Defence (DoD), a significantly higher figure than previous estimates indicate. These included blockbuster franchises such as Transformers, Iron Man, and The Terminator.
On television, we found over 1,100 titles received Pentagon backing – 900 of them since 2005, from Flight 93 to Ice Road Truckers to Army Wives.
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When the CIA established an entertainment liaison office in 1996, it made up for lost time, most emphatically on the Al Pacino film The Recruit and the Osama bin Laden assassination movie Zero Dark Thirty. Leaked private memos published by our colleague Tricia Jenkins in 2016, and other memos published in 2013 by the mainstream media, indicate that each of these productions was heavily influenced by government officials. Both heightened or inflated real-world threats and dampened down government malfeasance.
https://www.independent.co.uk/voices/hollywood-cia-washingto...