Earlier quoted context omitted.
He has comments disabled on instagram.
Hah. It baffles me that they still gave him the honor of mentioning him in that article. Free publicity to the fake.
Fake it till you make it: the wolves of Instagram
51–60 of 267 posts
Re: Fake it till you make it: the wolves of Instagram
#52Throwaway because reasons. Worked for one the biggest - and most "respectable" player in this "industry". Between terrible security practices - had to fight for basic stuff that would make any of you grab pitchforks, attempts to get away with as much as they could with regards to regulation and finally the terrible ethics of the system, I didn't last long. Consider spending a few minutes reading this great article ht…
Re: Fake it till you make it: the wolves of Instagram
#53One thing I've been struck by with movies and films like the Wolf of Wall Street, the film Wall Street, Fight Club, or even the Great Gatsby is how many people end up coming away with the exact opposite message of the movie. They end up idolizing the vapid, shallow lifestyle that the movie is critiquing, because even though the film is critiquing that it can't help but also make it glamorous. Michael Douglas has said…
This always perplexed me. With Mad Men and Breaking Bad too, people idolized the main characters, which is interesting not only because they are bad people but because they are deeply unhappy, too. There's something extremely surface-level about people's takeaways from film characters. They want a certain level of panache that the characters can muster, but they ignore that even the characters themselves are miserabl…
*
The reason TV sociopaths are admired is that they are on TV. They have a story.
Do you really admire Tony Soprano? Which part? His loveless marriage to a crazy person? A mistress who is even crazier? His gigantic belly and panic attacks? The fact that no one actually likes him? That his daughter was dating a black guy? ("I wouldn't have a problem with that." Yes you would if you were Tony.) What part do you admire?
The answer you tell yourself is you admire his power, that he can do whatever he wants. No he can't. The whole show was nothing but repeated examples of how limited his options were. The things you think you admire-- having hot sex with the other crazy woman at his psychiatrist's office, eating microwaved Sysco at Italian restaurants, avoiding his wife-- can be done by anyone, you don't need to be Tony to do it. But when you do it.... it just doesn't feel the same. I know.
What people admire about Tony isn't his freedom; that thing you think is freedom is actually the lack of freedom. His story. His identity-- that he has one, an obvious one, a clear one. Tony Soprano is not free, his behavior is completely tethered to what makes sense for his character. He acts exactly like Tony Soprano would act. That's what people want: the limitations of that identity: if I know who I am, I know what I am capable of, I know my strengths and my limits, I know how I'd react to unknown dangers. And I want other people to know this. If other people know who I am, I wouldn't have to keep proving myself. Strike that: I wouldn't have to prove myself in the first place.
*
Translating to the present topic, what makes Jordan Belfort attractive is not his role as "rich stock trader crook" or the cars and yachts that go with it, it's that he has a role and is confident that that is his role, as opposed to, let's say, oscillating between "Maybe I should start day trading" and "Maybe I should write the great American novel" and "Maybe I should write an indie game" but never doing any of them because that would remove the option of doing the other ones.
0: https://thelastpsychiatrist.com/2012/04/why_we_love_sociopat...
Re: Fake it till you make it: the wolves of Instagram
#54Earlier quoted context omitted.
This always perplexed me. With Mad Men and Breaking Bad too, people idolized the main characters, which is interesting not only because they are bad people but because they are deeply unhappy, too. There's something extremely surface-level about people's takeaways from film characters. They want a certain level of panache that the characters can muster, but they ignore that even the characters themselves are miserabl…
That might have also to do with how movies are made usually. If you really think about it, most detectives in detective stories abuse power and do things that cops really really should not. But, we are supposed to suspend reality and root for them. Same with action movies - main character does a lot of damage to everyone around, steal cars, hurt innocent people and we are supposed to ignore that. Happy end involves m…
Re: Fake it till you make it: the wolves of Instagram
#55Earlier quoted context omitted.
This always perplexed me. With Mad Men and Breaking Bad too, people idolized the main characters, which is interesting not only because they are bad people but because they are deeply unhappy, too. There's something extremely surface-level about people's takeaways from film characters. They want a certain level of panache that the characters can muster, but they ignore that even the characters themselves are miserabl…
Were Draper and White unhappy because of their actions in the shows, or where they already unhappy and their actions in the show were them making the best of it? They both had a tragic backstory (child abuse, cancer) before the show started. Maybe other hurting people identify: Better to be a drug kingpin than just waste away into nothingness.
Re: Fake it till you make it: the wolves of Instagram
#56One thing I've been struck by with movies and films like the Wolf of Wall Street, the film Wall Street, Fight Club, or even the Great Gatsby is how many people end up coming away with the exact opposite message of the movie. They end up idolizing the vapid, shallow lifestyle that the movie is critiquing, because even though the film is critiquing that it can't help but also make it glamorous. Michael Douglas has said…
It's easy to come up with a few theories as to what sets it apart, but I would love to see a proper analysis of how it tackles the subject matter without glorifying the lifestyle unnecessarily--and what other films should learn from it if they aim to accomplish the same
Re: Fake it till you make it: the wolves of Instagram
#57One thing I've been struck by with movies and films like the Wolf of Wall Street, the film Wall Street, Fight Club, or even the Great Gatsby is how many people end up coming away with the exact opposite message of the movie. They end up idolizing the vapid, shallow lifestyle that the movie is critiquing, because even though the film is critiquing that it can't help but also make it glamorous. Michael Douglas has said…
Re: Fake it till you make it: the wolves of Instagram
#58Slightly OT, but for the rest of us "fake it till you make it" is terrible advice. Because if you don't make it, you have lived a fake life and this will eat on you.
Re: Fake it till you make it: the wolves of Instagram
#59One thing I've been struck by with movies and films like the Wolf of Wall Street, the film Wall Street, Fight Club, or even the Great Gatsby is how many people end up coming away with the exact opposite message of the movie. They end up idolizing the vapid, shallow lifestyle that the movie is critiquing, because even though the film is critiquing that it can't help but also make it glamorous. Michael Douglas has said…
This always perplexed me. With Mad Men and Breaking Bad too, people idolized the main characters, which is interesting not only because they are bad people but because they are deeply unhappy, too. There's something extremely surface-level about people's takeaways from film characters. They want a certain level of panache that the characters can muster, but they ignore that even the characters themselves are miserabl…
Re: Fake it till you make it: the wolves of Instagram
#60Earlier quoted context omitted.
This always perplexed me. With Mad Men and Breaking Bad too, people idolized the main characters, which is interesting not only because they are bad people but because they are deeply unhappy, too. There's something extremely surface-level about people's takeaways from film characters. They want a certain level of panache that the characters can muster, but they ignore that even the characters themselves are miserabl…
There's a fascinating TLP article on this very topic[0]. Here's the most relevant bit: * The reason TV sociopaths are admired is that they are on TV. They have a story. Do you really admire Tony Soprano? Which part? His loveless marriage to a crazy person? A mistress who is even crazier? His gigantic belly and panic attacks? The fact that no one actually likes him? That his daughter was dating a black guy? ("I wouldn…