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Walt Disney's MultiPlane Camera (1957) [video]

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Re: Walt Disney's MultiPlane Camera (1957) [video]

#61

Old instructional videos so much more informative than today’s. They’re so simple. Clear narration, simple animations, music is appropriate and minimal. They don’t overload our senses in the way modern videography does. It seems to me that everything today is optimized for the highest cognitive load - sort of similar to the “loudness war” in music, but for videos. Popular videos on YT are optimized for clicks and lik…

Old technical writing is the same. Check out this camera repair manual from the 80s: https://www.dropbox.com/s/36tlkpnrsbmszar/nikon_fe-fe2.pdf?d... Clear, easy to understand. A patient person without any prior knowledge of cameras or tools could follow the instructions in here and completely disassemble and reassemble the camera as well as troubleshooting any problems with it. I think the reason is A) there was no i…

> the "glory days" of TV

Thanks for that, I really enjoyed it!

Re: Walt Disney's MultiPlane Camera (1957) [video]

#62
post #26

Earlier quoted context omitted.

Aside from space programme which descended from V-2 on both sides, can't think where the U.S. advancements were based on German ones. The effects of Operation Paperclip were limited and didn't leave a lasting impact otherwise. In fact the victory achieved over Third Reich was based in massive industrial superiority.

Start with the Manhattan project, and work backwards from there. Operation Paperclip may have been a failure, but that was after the war. Any modern electrical engineer's professional lexicon is dripping with the names of the titans of our field. I assume the same is true for physicists, because we electrical engineers stand on the shoulders of physicists every day. But don't take my word for it: https://en.wikipedia…

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Re: Walt Disney's MultiPlane Camera (1957) [video]

#63

Earlier quoted context omitted.

Possibly thousands. With 25 fps, a thousand frames is just 40 seconds worth of film, and the Mickey sequence was longer than that.

Less than you think. Film is 24fps, not 25. You generally shoot everything “on twos”, which is to say that you expose a single drawing twice, for an effective frame rate of 12fps. There are places you go on ones. Fast motions, motions that need to be ultra-smooth. Ideally you also shoot pans on ones, and the walk cycles you use on top of pans are drawn to match. But you can get away with doing them on twos. If you wa…

> Film is 24fps, not 25.

25 fps in European TV, though. Ask Wikipedia for "PAL Speedup" for a fun consequence of this.

Re: Walt Disney's MultiPlane Camera (1957) [video]

#64

Earlier quoted context omitted.

As a second order to this effect, I've noticed a general "clumping", so to speak, of timeless machines and designs in general, that seem to originate in the late 1940s, and the 1950s, likely due to the unprecedented rise in the United States overall fortunes, after WWII. It's almost like John Kennedy "tricked" us to thinking that he initiated the US involvement in the space race, instead of the natural IP transfer th…

PBS has a great documentary on the Fairchildren called "silicon valley"

I believe thats on HBO ;)
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