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In search of the perfect writing font

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Re: In search of the perfect writing font

#41
For coding, anything like Menlo, Consolas seems to do the trick.

For reading, I’ve come to admire Amazon’s new fonts: Bookerly, Ember, and Interface.

But I also find myself going back to good ‘ol Times New Roman for writing and reading most things. Runner-up: Georgia.

Other interesting serif fonts include:

Adobe Caslon Pro (used by The New Yorker) ITC Galliard (used by Library of America)

Re: In search of the perfect writing font

#42
I can recommend Iosevka¹. It looks a bit condensed, which takes time getting used to, but after that you have the benefit of monospaced, without it being so wide.

It's also highly customizable.

¹ https://be5invis.github.io/Iosevka/

white on black paragraph sample: http://malea.lacerta.uberspace.de/up/11a0e427-7717-4f25-a74d...

Re: In search of the perfect writing font

#43
post #33
post #27

I disagree with iA'a philosophy. I like to write fiction with proportional serif fonts, often quite similar to fonts that would be used in print. Sometimes I change fonts to defamiliarize the text, which helps me read it with fresh eyes. The last couple years I've mostly been using the Mate font. https://www.fontsquirrel.com/fonts/mate

I don't know why, but that font is giving me some serious comic sans ms vibes.

it's not meant to be blown up. Look at the paragraph examples in the "specimen" tab. It looks really tidy in smaller size.

Re: In search of the perfect writing font

#44

Fun fact that people may not be aware of: not all glyphs in monospace fonts are actually the same width (provided the font supports enough of Unicode). Some glyphs are twice as wide, such as CJK/fullwidth characters in general. The Unicode standard includes a list of codepoint column widths—some zero (e.g. combining characters), some one, some two, some one or two depending on the context (the language).

a lovely example is uFDFD, ﷽ (single char)

Re: In search of the perfect writing font

#45
post #44

Fun fact that people may not be aware of: not all glyphs in monospace fonts are actually the same width (provided the font supports enough of Unicode). Some glyphs are twice as wide, such as CJK/fullwidth characters in general. The Unicode standard includes a list of codepoint column widths—some zero (e.g. combining characters), some one, some two, some one or two depending on the context (the language).

a lovely example is uFDFD, ﷽ (single char)

I am referring to Annex #11 (East Asian Width) of the Unicode Standard, which is all about CJK. Under those rules, U+FDFD is one column wide. If you happen to see it rendering really wide in the middle of text set in a monospaced typeface, it’s probably because a fallback font is being employed. In one arrangement locally I see it as eleven-and-a-bit columns, because it’s using it from another font; in another which sticks stringently to actual columns and doesn’t use fallbacks at all, it’s one-column-wide blank.

I do not know of any monospaced fonts that include U+FDFD. I’m not at all sure what they would do with it.

What I find particularly amusing about U+FDFD is the broad range of widths and styles it can take. I see three wildly differing styles depending on the font employed (two long ones and one roughly square one).

Re: In search of the perfect writing font

#46
post #21
post #9

I used to tell myself I couldn't code or write without the perfect font. I'd spend hours looking for it, and end up not getting any work done. When I finally did get around to actually working, five minutes in and I'd forget about the font completely. I have a (rather lazy) friend who's been asking me to help him start a blog for years now. I've promised to after he produces his first block of content, and he keeps s…

I recently converted my dynamic DB-driven blog to a static website. I did not predict how badly the added latency between having an idea, writing down the first flawed paragraph, saving a draft, reading what I wrote, then revising and publishing would reduce my writing output. Sure, I can write in Google Docs, but because it's not on my site one click away from being "out there" I am far less compelled to write down…

I had the opposite feeling. I wrote my PhD thesis in 1998-2000 and the editor of choice at the time was Word. It was a pain to deal with the formatting, spacing, page breaking and other -ings.

I then tried LaTeX and all problems vanished. Since I could not influence the output (at least without a lot of work) I simply gave up and started to "code my text". It was way faster than admiring my artful working all the time, I just complied the text from time to time and I was done.

This is how I see Markdown today.

Re: In search of the perfect writing font

#47

I can recommend Iosevka¹. It looks a bit condensed, which takes time getting used to, but after that you have the benefit of monospaced, without it being so wide. It's also highly customizable. ¹ https://be5invis.github.io/Iosevka/ white on black paragraph sample: http://malea.lacerta.uberspace.de/up/11a0e427-7717-4f25-a74d...

I switched to Iosevka for terminal can't stop using Bitstream Vera Sans Mono (or Monaco) for code editors, though

Re: In search of the perfect writing font

#48
post #5

Earlier quoted context omitted.

What are your favorite fonts?

Personally, I use Terminus in my text editor and terminal. Bitmap fonts just look much crisper and cleaner to me.

I have found that I dislike fonts that have overly squared-off corners, in which all the letters look so uniform. So, I just don't understand the appeal a lot of boutique "programming" fonts like proggy or monoid.

I tend to like monospace fonts with a bit more rounded corners, which to me gives them a bit more "character" (one could almost say quirkyness) and readability.

good examples of this would be Bitstream Vera Sans Mono, Monaco and to a lesser extent, Iosevka

Re: In search of the perfect writing font

#49
post #21
post #9

I used to tell myself I couldn't code or write without the perfect font. I'd spend hours looking for it, and end up not getting any work done. When I finally did get around to actually working, five minutes in and I'd forget about the font completely. I have a (rather lazy) friend who's been asking me to help him start a blog for years now. I've promised to after he produces his first block of content, and he keeps s…

I recently converted my dynamic DB-driven blog to a static website. I did not predict how badly the added latency between having an idea, writing down the first flawed paragraph, saving a draft, reading what I wrote, then revising and publishing would reduce my writing output. Sure, I can write in Google Docs, but because it's not on my site one click away from being "out there" I am far less compelled to write down…

I completely agree. I spent quite awhile setting up a Hugo powered blog, getting my theme just right, getting GitHub pages with CloudFlare for SSL working. And then...nothing. Because there's just too much friction.

I'm going to move to WordPress and be done with it. No I won't have faster than lightning page loads anymore, but it'll be much lower friction to publish something.

Re: In search of the perfect writing font

#50
post #37
post #21

Earlier quoted context omitted.

I recently converted my dynamic DB-driven blog to a static website. I did not predict how badly the added latency between having an idea, writing down the first flawed paragraph, saving a draft, reading what I wrote, then revising and publishing would reduce my writing output. Sure, I can write in Google Docs, but because it's not on my site one click away from being "out there" I am far less compelled to write down…

That’s why all my blog content resides in dropbox. One text file in the right place, and boom! A new post.

What do you have this implemented with?
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