Mainly?
If this is a deliberate near-clone of Roboto, then at the very least there should be some explanation of how it differs and why.
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Mainly?
If this is a deliberate near-clone of Roboto, then at the very least there should be some explanation of how it differs and why.
I'm sure this is like tabs vs spaces for typographists, but why the hell do people make and use sans-serif fonts? Even ignoring aesthetics, the fact that there are horrendous ambiguities (like between I and l) renders these fonts completely inappropriate for computational tasks like copying passwords or secret keys. I have run into this problem multiple times on OS X and iOS, where the password managers use sans seri…
With retina/high DPI displays? Not so much.
A disproportionate sans serif without any letter spacing. It's free though, so better than nothing. Edit: Dear downvoters, what I am saying is that you can take any ramdom sans serif, reduce the letter-spacing and you end up with a similar looking font face which might be even more balanced. Despite my criticism, I expressed my high appreciation that the creator offers his work for free. If you disagree let me know w…
By "disproportionate", do you mean "badly proportioned", or merely "proportional" as opposed to monospace?
Another poster just commented that it looks like Roboto (or is even based on Roboto) and Roboto faces the same issues but not that worse. Roboto itself is a mutated Helvetica Neue which is admittedly a reference sans serif where every other sans looks inferior amd kind of turned out badly in comparison.
> Since this font is very similar to Roboto, glyph outlines from Roboto are indeed being used, mainly as "placeholders" while the glyph set is expanded. The Roboto license can be found in the source directory. Mainly? If this is a deliberate near-clone of Roboto, then at the very least there should be some explanation of how it differs and why.
I'm sure this is like tabs vs spaces for typographists, but why the hell do people make and use sans-serif fonts? Even ignoring aesthetics, the fact that there are horrendous ambiguities (like between I and l) renders these fonts completely inappropriate for computational tasks like copying passwords or secret keys. I have run into this problem multiple times on OS X and iOS, where the password managers use sans seri…
What other glyph ambiguities do you look out for on new fonts?
Looking at Interface's glyph map, I see that letter-O (O) is slightly wider than number-zero (0). Capital-eye (I) is indistinguishable from small-ell (l), though number-one (1) is distinguishable from both. What other glyph ambiguities do you look out for on new fonts?
Amazing job to the author!
Looking at Interface's glyph map, I see that letter-O (O) is slightly wider than number-zero (0). Capital-eye (I) is indistinguishable from small-ell (l), though number-one (1) is distinguishable from both. What other glyph ambiguities do you look out for on new fonts?
Though not abiguous in sharing the exact same shapes, many characters can share similar structures that (arguably; citation needed) can cause visual confusion. For example;
3 and 8 in a typeface like Helvetica are very similar. Opening the aperture of the 3 or using a form with a corner in the upper right can be observed in some UI typefaces.
The "single story a" can be an issue in typefaces that ise it, adding to the plethora of round forms (eopdqbc etc.). Breaking up the monotony of those shapes is also frequently advised.
"Tail-less" t and r in sans type can be problematic at small sizes.