Earlier quoted context omitted.
I hear what you're saying. I'm gradually arriving at a model of "good book" that includes what a person's particular transgressions of suspensions of disbelief are, and what degree is required to trigger them. For me, the biggest things are currently "must be at least this hard sci-fi" and "must have believably human characters." It sounds like one of yours is "must have book-spanning world-building." Which I get, bu…
Maybe world building is the wrong term? I consider civilizations, economics, infrastructure, etc, as another character in the story. They have background and develop over time. They should be as believable as the humans. This is common in the "future history" sub-genre but you find unexpected gems too. Discworld was remarkably good about it, for example. Just found my copy of Ender's, one of the few OSC books I still…
But I guess I forced myself to read enough Golden Age sci-fi that I developed a neurotic category for lazy... "deep worlds"? I'm looking at you and Foundation, Asimov.
So much of that stuff is a splash of human-esque characters and plot on an otherwise naked thought puzzle that I feel like it deserves its own category. I suppose it irks me less when I feel like the author did that not because they couldn't do otherwise, but because they intentionally didn't care to. Which is to say, the thought puzzle interested them more than the characters.
I feel the same about Lost. JJ Abrams doesn't give a damn about solving mysteries. He just likes creating them. Not liking him for not solving them is like not liking a dog because it wags its tail. That's a valid preference against tail wagging... but maybe not dogs for such a person?
And I really wouldn't chance a reread. I started reading it because I'd heard good things about the tech. Let good memories lie.
The lines that did me in were something to the effect of: "{Someone does a thing that makes Honor happy}. Honor felt happy because someone did a thing." (!!!)