Earlier quoted context omitted.
Delivering music online is hard. Not technically hard but legally hard. The reason for that is that there are two copyrights in a recorded song: the recording itself and then the song which is contained within that recording - the actual written words and melody. You may well know all of this already, but a lot of people don't - or haven't fully appreciated the complexity, so I apologise if I'm telling you something…
yeah I'm aware of all the problems with publishing. Frankly I think it's all outdated, it was great back when there was only radio, film and TV, but imo the rules need updating to work with web. However, that's not our battle. We don't want to become a streaming service, we are OK leaving that to spotify/apple music etc. I guess we would like to be closer to bandcamp by still selling downloads, however, there are a l…
https://www.beatport.com/charts
Regarding the early "exclusive" access - I think services that provide value for superfans or early champions are a big area of potential growth for the music business. Pledge Music has a great business built around this idea. Coupling that with the taste maker endorsement of DJ feedback etc is a great idee. The challenge - like all music services - is how you find an audience big enough to make it a viable business.