Brian Eno is a skilled musician. He's a lousy economic, systems, and AI theorist. The Edge is revealing itself far more to be a forum in which people of provenance hold forth on that which they've no particular qualifications or grounds to discuss (something which never happens elsewhere on the Internet, of course ). Complex, highly-interdependent systems exibit fragility, nonlinear transitions, and multiple optima,…
This is one of the most elitist comments I've read on HN. What are your special qualifications that allow you to say who is and who is not qualified to comment on a topical issue? I'm guessing by your comment stating that he is a skilled musician that you aren't actually familiar with Brian Eno at all. He's an unskilled musician, that's by his own admission. He's not technically proficient on any instrument. He's qui…
As others have noted, Eno's piece is a poor rewrite of I Pencil, itself a poorly reasoned propaganda piece.
Crooked Timber has an excellent deconstruction of that: http://crookedtimber.org/2011/04/16/i-pencil-a-product-of-th...
The one at Freakonomics is weaker sauce but also pretty biting:
http://freakonomics.com/podcast/i-pencil/
I've pointed to several sources discussing technological unemployment, and more critically the long history of discussion of that topic from 1800 forward in mainstream and heterodox economic, as well as political and other literature. None of which Eno's careless handwave points at.
If informed, sourced, intelligent, and specifically refutable comment is elitist, I'll take it.
You've also focused on the irrelevant element of my argument, though if anything, you're also undercutting your own criticism of me. Eno's skill is evident in his body of work. Which I have listened to, own some of, and rather like. His self-description is at best inaccurate.
Your assumptions as to my familiarity or otherwise with Eno's works place you on the rather precarious precipice of a domain in which I am and insist privileged expertise of obvious nature.
Cheers.