Earlier quoted context omitted.
That's interesting, I would have thought being able to see actual finger movements to analyze mechanics is a part of the evaluation process. Could be totally off base though I suppose.
Good mechanics are a given at that level of performance. If you can play like Yo-Yo Ma with bad mechanics, more power to you, an orchestra is not going to care.
If you're hiring for some mid-level orchestra, bad mechanics on a sufficiently-skilled player might be enticing. And as you say, bad mechanics among top performers are basically nonexistent.