Using Visualization to Kill a Hoax
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Using Visualization to Kill a Hoax
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Re: Using Visualization to Kill a Hoax
#2Re: Using Visualization to Kill a Hoax
#3Re: Using Visualization to Kill a Hoax
#4Can someone explain why the visualizations are triangles, if the two axis are meant to represent similarity and time?
If I understand this correctly, this means that the vertical axis goes from "similarity in large-scale structure" at the top to "similarity at the momentary scale" at the bottom, so the triangle is a sensible way to look at it.
Re: Using Visualization to Kill a Hoax
#5Can someone explain why the visualizations are triangles, if the two axis are meant to represent similarity and time?
The horizontal axis represents musical time, from the beginning to the end of the piece, while the vertical axis shows how far the similarities persist into the higher-level structure of the piece. If I understand this correctly, this means that the vertical axis goes from "similarity in large-scale structure" at the top to "similarity at the momentary scale" at the bottom, so the triangle is a sensible way to look a…
Or at least that's how this musicology-phile interpreted them.
Re: Using Visualization to Kill a Hoax
#6The wikipedia page has some details on how this situation came about:
http://en.wikipedia.org/wiki/Joyce_Hatto#Recordings_unmasked
Re: Using Visualization to Kill a Hoax
#7"When Brian Ventura, a financial analyst from Mount Vernon, New York, put the recording of Liszt's Transcendental Etudes credited to Hatto into his computer, the Gracenote database used by the iTunes software identified the disc not as a recording by Hatto but as one by László Simon."
http://en.wikipedia.org/wiki/Joyce_Hatto#Recordings_unmasked
Other sources claim this was "almost certainly due to someone deliberately planting the information in the Gracenotes database" because "the track timings are too dissimilar for the software to pluck Simon's BIS recording out of the many 12-track CDs it holds" http://www.pristineclassical.com/HattoHoax.html