I think a lot of people miss the point of this posting -- it doesn't matter if it's real or if it's fake, but rather it's an evolution of artistic expression. Someone is using Craigslist as an entirely new medium for writing a bit of poetry or short story. The potential for this type of work to reach people is huge, and that to me is the most exciting part of it all.
I met you in the rain on the last day of 1972
71–80 of 103 posts
Re: I met you in the rain on the last day of 1972
#72Re: I met you in the rain on the last day of 1972
#73How hard could it be to check Boston society page engagement and wedding announcements for 1972 and 1973?
Re: I met you in the rain on the last day of 1972
#74http://www.theatlantic.com/entertainment/archive/2013/08/the...
Re: I met you in the rain on the last day of 1972
#75I once read a story (I think in the Washington Post) about two people meeting up in similar circumstances sometime in the 60s or 70s, and then, when parting, promising to meet again at a specific location and time far into future. And so after decades, one party went to the arranged meeting point with great anticipation having told their family about the story, etc. But the other party didn't turn up. Eventually the…
http://www.loc.gov/rr/program/bib/lost/novels.html has tips on how to find books. Maybe some of the same places would have suggestions on how to find the article?
Re: I met you in the rain on the last day of 1972
#76I'm not sure what people find "beautiful" or "touching" in this story. A man is wracked by guilt over what he has done to the point of deciding to end his life, but then he forgets all about it as soon as a pretty girl gives him attention. Inasmuch as it is believable, this is a story about how all our lofty notions of justice, honor, purpose etc. are just bullshit, and it's really all about fucking, consuming and ke…
Re: I met you in the rain on the last day of 1972
#77How hard could it be to check Boston society page engagement and wedding announcements for 1972 and 1973?
it wouldn't be that hard. if this was real, we'd have a good national treasure meets the notebook film to make.
Re: I met you in the rain on the last day of 1972
#78I'm not sure what people find "beautiful" or "touching" in this story. A man is wracked by guilt over what he has done to the point of deciding to end his life, but then he forgets all about it as soon as a pretty girl gives him attention. Inasmuch as it is believable, this is a story about how all our lofty notions of justice, honor, purpose etc. are just bullshit, and it's really all about fucking, consuming and ke…
I read the story as random kindness and forming a connection with another human saved a life. The moral for me is a smile, a kind word, a 30 minute conversation can impact people in significant ways.
Re: I met you in the rain on the last day of 1972
#79Earlier quoted context omitted.
It's creative writing, which some people like no matter how authentic. The writer has some skills. The flow and efficiency would earn marks as a school assignment! "scaled the hill with its golden dome, and meandered into that charming labyrinth divided by Hanover Street" It might seem simple, but in those few words a lot of information is communicated. "Ironically, the torture of your abandonment seemed to swallow m…
> would earn marks as a school assignment Oh, come on. I can't tell if you're being ironic or clumsy, but if it's the later I strongly disagree. This is fantastic writing, much better than what we read everywhere everyday; in school it would warrant to take the teacher's place.
Re: I met you in the rain on the last day of 1972
#80I think a lot of people miss the point of this posting -- it doesn't matter if it's real or if it's fake, but rather it's an evolution of artistic expression. Someone is using Craigslist as an entirely new medium for writing a bit of poetry or short story. The potential for this type of work to reach people is huge, and that to me is the most exciting part of it all.
Of course it matters. If it's real, it's a strange, perhaps touching story. If it's made-up, it's a trite and rather artless attempt to yank at your heartstrings. Being coy about whether something is a true account, fictionalized or outright fiction is a cheap way to avoid criticism of both one's reportage and art. Jack Shafer wrote about this sort of thing regarding a David Sedaris flap a few years ago: http://www.s…
Should we consider all fiction works in this way?