The McPhee method for writing deeply reported nonfiction
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Re: The McPhee method for writing deeply reported nonfiction
#2> if you tell someone you’re a journalist they’re going to believe you. Your job is to honor their trust.
Re: The McPhee method for writing deeply reported nonfiction
#3Even back when every household received a morning paper I cannot fathom how a single article could command such a high pay.
Re: The McPhee method for writing deeply reported nonfiction
#4However, I then turned to his magnum opus on geology, Annals of the Former World. That was a long slog which, although I enjoyed moments of it, now I wonder if my time wouldn't have been better spent reading something more interesting.
Re: The McPhee method for writing deeply reported nonfiction
#5This method came quite naturally to me during my writing-based personal projects since I have no deadline or anything and am literally just collecting thousands of little A6/A7 notes that I capture as they pop into my head. I can take all the time I want to stew on them and have a structure bubbling up all on its own.
Re: The McPhee method for writing deeply reported nonfiction
#6Re: The McPhee method for writing deeply reported nonfiction
#7> McPhee usually had one person at the center of each piece, so he would aim to spend a lot of time with that person … stay at their cottage for a season Even back when every household received a morning paper I cannot fathom how a single article could command such a high pay.
> For twenty-five years, I was contracted to produce three articles a year, long ones, typically ten thousand words. For this, my peak salary was $498,141. That’s not a misprint—$498,141, or more than $166,000 per story. Then, as now, $166,000 was a good advance for an entire book. Yes, I realized it was obscene. I took it with a grin.
https://yalereview.org/article/burrough-vanity-fair-graydon-...
Re: The McPhee method for writing deeply reported nonfiction
#8Re: The McPhee method for writing deeply reported nonfiction
#9> McPhee usually had one person at the center of each piece, so he would aim to spend a lot of time with that person … stay at their cottage for a season Even back when every household received a morning paper I cannot fathom how a single article could command such a high pay.
He wrote for the New Yorker, which is a magazine rather than a newspaper. The number of long-form literary nonfiction pieces that the New Yorker runs every year is drastically fewer than the number of news articles produced to fill a daily newspaper in just a couple weeks.