How Aphex Twin Made Selected Ambient Works 85-92
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How Aphex Twin Made Selected Ambient Works 85-92
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Re: How Aphex Twin Made Selected Ambient Works 85-92
#2Re: How Aphex Twin Made Selected Ambient Works 85-92
#3Re: How Aphex Twin Made Selected Ambient Works 85-92
#4Then he bought himself a Mac and made the Richard D James album, that was 1996(!)
Re: How Aphex Twin Made Selected Ambient Works 85-92
#5Re: How Aphex Twin Made Selected Ambient Works 85-92
#6He used pretty standard pieces of gear, (Kroger MS-20, DX7) the difference is the obsessive amount of time he spent making music, and what he managed to get out of that gear. Weird, detuned moans, crazy skittering beats, all kinds of odd filter modulation and crazy stuff, and it all works well together. Then he bought himself a Mac and made the Richard D James album, that was 1996(!)
Re: How Aphex Twin Made Selected Ambient Works 85-92
#7Re: How Aphex Twin Made Selected Ambient Works 85-92
#8Aphex Twin has been a large influence for tons of well-known artists today. There is just something special in how his songs convey different moods and feelings, with one of my favorites being Avril 14th, which reminds me of playing Minecraft as a young lad, although I think 180db_ [130] is my all-time favorite.
Re: How Aphex Twin Made Selected Ambient Works 85-92
#9Also of note, Selected Ambient Works Volume II. I used to mix ambient tapes from a variety of sources in the mid-90s, and this was always features somewhere. One good mix was Autechre's _VLetrmx21_ over Aphex's _Blur_. None of it is in sync, some of it's dissonant, but it works.
I miss 90s Ambient and IDM. Em:t label of was a top one. There was a sound to all of it, and it probably had to do with 99% being produced with outboard gear straight to tape. Everything now seems to be so over-produced and "perfect".
Re: How Aphex Twin Made Selected Ambient Works 85-92
#10> These ambient pads were likely recorded with the Yamaha DX-100 or DX7, as these were the only polyphonic synths James mentioned owning at the time. He likely used the DX strings patches, as they have long attack and release times as well as mellow, sine-like oscillator sounds.
> These were likely recorded on the Roland SH-101, a revered analog monophonic synth from 1982.
So is this all speculation of RDJ's production methods or was this directly sourced based on what RDJ himself said?