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Don’t Blame Dostoyevsky

theatlantic.com

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Re: Don’t Blame Dostoyevsky

#2
Apart from the abstract conviction that we should not indict the cultural output of a country that is under the thrall of an oligarch, I'm a bit baffled at the notion of decrying Tolstoy of people -- a Christian anarchist who radically challenged all of the assumptions of Tsarist Russia. Basically all of the great Russian writers lived in opposition to the various incarnations of the Russian State (Tsarist Russia, USSR).

EDIT: It's clear that this is a sentiment that is coming from the emotional pressures of war. I don't blame some Ukrainians for feeling the way that they do, though I find the argument dubious and disagree with it.

Re: Don’t Blame Dostoyevsky

#6
post #2

Apart from the abstract conviction that we should not indict the cultural output of a country that is under the thrall of an oligarch, I'm a bit baffled at the notion of decrying Tolstoy of people -- a Christian anarchist who radically challenged all of the assumptions of Tsarist Russia. Basically all of the great Russian writers lived in opposition to the various incarnations of the Russian State (Tsarist Russia, US…

> I don't blame some Ukrainians for feeling the way that they do

I can certainly see why they're upset but it's a problem with Russia's leader at the time, and not the culture right? If it's a long-standing cultural issue then I'd imagine some introspection would also be required, which seems like it may undermine the whole notion.

Re: Don’t Blame Dostoyevsky

#8
post #2

Apart from the abstract conviction that we should not indict the cultural output of a country that is under the thrall of an oligarch, I'm a bit baffled at the notion of decrying Tolstoy of people -- a Christian anarchist who radically challenged all of the assumptions of Tsarist Russia. Basically all of the great Russian writers lived in opposition to the various incarnations of the Russian State (Tsarist Russia, US…

It’s a very strange emotional appeal. Yes, you can ban first-hand imports of Russian culture, or any other nation. But what about all the ways in which your culture has already been affected by decades and decades of integrating these works because they stand on their own, aesthetically speaking, regardless of their origin?

I’m reminded of an equally strange move, in an equally strange vein: “Freedom Fries.”

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