In praise of the novelization, pop fiction’s least reputable genre
1–10 of 24 posts
Re: In praise of the novelization, pop fiction’s least reputable genre
#2[1] https://www.amazon.com/Crimson-Skies-Spicy-Tales-Fortunes/dp...
Re: In praise of the novelization, pop fiction’s least reputable genre
#3Around 1999, Microsoft had a pulp fiction division. The "Crimson Skies" game had a complicated backstory, which included references to fictional magazines such as "Spicy Air Tales". Microsoft had two volumes of that written and published, plus some other short novels.[1] [1] https://www.amazon.com/Crimson-Skies-Spicy-Tales-Fortunes/dp...
Re: In praise of the novelization, pop fiction’s least reputable genre
#4A funny part of these is that the author often doesn't get to see the movie they're adapting!
> The novelization of “Alien,” for example, does not have a description of the alien, because 20th Century Fox wouldn’t let the writer look at the puppet while it was being designed. And in “The Empire Strikes Back,” the famously green character Yoda is described as having blue skin.
> Author Hank Searls went off the rails during his adaptation of “Jaws: The Revenge,” adding a plot about the shark being controlled by a “voodoo curse.”
Re: In praise of the novelization, pop fiction’s least reputable genre
#5See also the mini-story on film novelizations from 99% Invisible: https://99percentinvisible.org/episode/mini-stories-volume-9... A funny part of these is that the author often doesn't get to see the movie they're adapting! > The novelization of “Alien,” for example, does not have a description of the alien, because 20th Century Fox wouldn’t let the writer look at the puppet while it was being designed. And in “The E…
That novelization differs significantly from the movie, but mostly because Asimov thought the screenplay was filled with bad sci-fi plot-holes and was given permission to change whatever he liked.
Re: In praise of the novelization, pop fiction’s least reputable genre
#6I'm not a fan of Card's other work (Ender's Game is a perfectly fine SF story, but didn't need a sequel let alone multiple sequels) but I thought this background really helps The Abyss much more than even the Director's Cut.
Or, if not that then B-to-the-F which is Ryan North's series about the novelization of Back to the Future, eventually published as an e-book - meta!.
But neither of them rates a mention, I guess that even if it lacks praise there was too much going on in this sub-genre to mention it all even in passing.
Re: In praise of the novelization, pop fiction’s least reputable genre
#7Re: In praise of the novelization, pop fiction’s least reputable genre
#8Around 1999, Microsoft had a pulp fiction division. The "Crimson Skies" game had a complicated backstory, which included references to fictional magazines such as "Spicy Air Tales". Microsoft had two volumes of that written and published, plus some other short novels.[1] [1] https://www.amazon.com/Crimson-Skies-Spicy-Tales-Fortunes/dp...
Crimson Skies was wonderful. Ok it took about 5 minutes to load each mission, but it was actually worth it. I miss that game so much.
Re: In praise of the novelization, pop fiction’s least reputable genre
#9(I suspect they also inspired many kids to read for similar reasons.)
Re: In praise of the novelization, pop fiction’s least reputable genre
#10The Dr Who novelisations were loved in part because they were the only way pre-video for the show's decades of output to be experienced. (And still are for some lost episodes.) I'd hardly ever seen an episode (as a late 70's 10 year old) but had read all the books I could find in the local library. (I suspect they also inspired many kids to read for similar reasons.)