Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
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Re: Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
#2Re: Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
#3My impression is that PMing this is really hard. And then each of the other guys is going to have an opinion that this shouldn't be done because it's so rare, etc.
Something must be organizationally right for something like this capable engineering to have succeeded on such a barely noticeable feature.
I love it when products casually have cool things like this. Not quite the same scope but IntelliJ's subpixel hinting option has each element of the drop down displaying with the hints that it describes. You don't have to pick an option to see it. You can just preview it off directly.
Re: Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
#4I wonder how a large organization does something like this successfully. Like you need your OS video driver team working with the application team and so on. My impression is that PMing this is really hard. And then each of the other guys is going to have an opinion that this shouldn't be done because it's so rare, etc. Something must be organizationally right for something like this capable engineering to have succe…
Re: Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
#5Re: Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
#6This is a bit misleading. The backlight isn’t at a higher level than necessary for sRGB content all the time, just whenever any HDR encoded videos or EDR apps are open. When you open an HDR video you can see the highlights getting brighter as the backlight gets pushed.
Re: Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
#7This is simply not true; a lie. Everyone in Hollywood and the professional print world who needed color-accurate displays that could be calibrated were using HP Dreamcolor Displays or similar products from companies like BenQ
( For example: https://nofilmschool.com/2017/12/benq-sw271-color-management... )
No movie studio does professional color grading on anything else.
Re: Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
#8I wonder how a large organization does something like this successfully. Like you need your OS video driver team working with the application team and so on. My impression is that PMing this is really hard. And then each of the other guys is going to have an opinion that this shouldn't be done because it's so rare, etc. Something must be organizationally right for something like this capable engineering to have succe…
https://hbr.org/2020/11/how-apple-is-organized-for-innovatio...
Re: Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
#9I wonder how a large organization does something like this successfully. Like you need your OS video driver team working with the application team and so on. My impression is that PMing this is really hard. And then each of the other guys is going to have an opinion that this shouldn't be done because it's so rare, etc. Something must be organizationally right for something like this capable engineering to have succe…
Most frameworks don't let applications touch pixel data without jumping through some hoops, because by restricting it you can implement things like lazy loading, GPU jpeg decoding GPU resizing, etc.
Re: Apple’s “Extended Dynamic Range” Brings HDR to Non-HDR Displays
#10> The company, long known for shipping high quality, color-accurate displays, This is simply not true; a lie. Everyone in Hollywood and the professional print world who needed color-accurate displays that could be calibrated were using HP Dreamcolor Displays or similar products from companies like BenQ ( For example: https://nofilmschool.com/2017/12/benq-sw271-color-management... ) No movie studio does professional c…