The Psychology of Serial Killer Movies
gardenofforkingpaths.home.blog
The Psychology of Serial Killer Movies
1–10 of 16 posts
Re: The Psychology of Serial Killer Movies
#2One of my favorite movies is The Guest, mainly because it subverts the idea of explaining to the viewer why the situation is the way it is. All of the main character's life events have led him to the point he is at in the beginning of the movie, and there are already concurrent plot threads running by the beginning, but we're never told or given an explanation as to why the situation is in the state it's in, just that this is what is happening, how is our main character going to get out of it, etc.
Another movie with a noteworthy use of subversion is The Thing -- you'd think something, anything will be explained by the end of the movie. Nope, nothing, more astoundingly, the end of the movie sets itself up as if it's preparing for a twist -- you don't even get to see the twist. You just know there is one, and the movie ends.
Re: The Psychology of Serial Killer Movies
#3"This is what violent death is really like. It is unexpected, out of nowhere – it cuts our stories short. Victims of homicide do not pop into existence three minutes earlier in order to be killed."
I love this line and I think this is one of the most valuable things entertainment can provide. Great literature and movies make you feel some approximation of actually going through the thing that is being portrayed.
I've often thought that we (I'm American) get such a distorted view of violence from popular media. For every film that displays violence as chaotic, disorienting, and horrible, there are dozens of super hero type movies that display violence as utterly ordinary, necessary, and proper, where only the bad guys die forever and justice is ultimately served.
Additionally, so many stories end at "Happily Ever After" and neglect to communicate to readers or viewers that 99.9% of life happens in "Happily Ever After." Presumably "Happily Ever After" contains much less drama than the movie or book itself, but we never see it, so we are convinced that life can't happen at all, ever, without the drama that makes up the majority of the stories we are told.
Re: The Psychology of Serial Killer Movies
#4Interesting article.
A nitpick however: "American Psycho" is not really a serial killer movie, is it? In fact, it's debatable whether any killing occurs at all. (Of course, the embarrassing sequel completely misses the point, from what I've read -- and I refuse to watch it).
Re: The Psychology of Serial Killer Movies
#5Interesting article. A nitpick however: "American Psycho" is not really a serial killer movie, is it? In fact, it's debatable whether any killing occurs at all. (Of course, the embarrassing sequel completely misses the point, from what I've read -- and I refuse to watch it).
yeah but it's structured like serial killer movie, even if it's ambiguous as to whether it might just all be in his head.
Re: The Psychology of Serial Killer Movies
#6"This is what violent death is really like. It is unexpected, out of nowhere – it cuts our stories short. Victims of homicide do not pop into existence three minutes earlier in order to be killed." I love this line and I think this is one of the most valuable things entertainment can provide. Great literature and movies make you feel some approximation of actually going through the thing that is being portrayed. I've…
>there are dozens of super hero type movies that display violence as utterly ordinary, necessary, and proper, where only the bad guys die forever and justice is ultimately served.
Not just superhero movies - action movies, westerns, ancient myths and religions in which the heroes were always violent - maybe violent and cunning, but always violent, and the gods were often as ruthless and petty as nature itself.
Thinking of violence as anything but utterly ordinary, necessary and proper has been the exception rather than the rule in human societies. People still believe in war as a noble adventure that turns undisciplined boys into proper men... people still believe in holy war.
I think these stories reflect a fundamental need in people to fit a narrative onto a blind and arbitrary universe. We want there to be heroes and villains, for good to prosper and the wicked to be punished, for there to be a reason behind it all, even if that reason is aliens or the Illuminati, and a God who prepares a table before us in the presence of our enemies. We don't want to know that the world is capricious and arbitrary, that evil people die in their sleep surrounded by wealth and comfort while good people die in the street like dogs for no reason.
Re: The Psychology of Serial Killer Movies
#7"This is what violent death is really like. It is unexpected, out of nowhere – it cuts our stories short. Victims of homicide do not pop into existence three minutes earlier in order to be killed." I love this line and I think this is one of the most valuable things entertainment can provide. Great literature and movies make you feel some approximation of actually going through the thing that is being portrayed. I've…
>there are dozens of super hero type movies that display violence as utterly ordinary, necessary, and proper, where only the bad guys die forever and justice is ultimately served. Not just superhero movies - action movies, westerns, ancient myths and religions in which the heroes were always violent - maybe violent and cunning, but always violent , and the gods were often as ruthless and petty as nature itself. Think…
You're completely correct, of course. Violence is definitely utterly ordinary. I suppose I meant something more along the lines of mundane or even gentle?... I'm not sure what would have been a better way to phrase it, but I think most people, in the western world, at least, would be shocked at just how violent real violence is because of how it is portrayed in popular media.
Re: The Psychology of Serial Killer Movies
#8One of my favorite movies is The Guest, mainly because it subverts the idea of explaining to the viewer why the situation is the way it is. All of the main character's life events have led him to the point he is at in the beginning of the movie, and there are already concurrent plot threads running by the beginning, but we're never told or given an explanation as to why the situation is in the state it's in, just tha…
> The Thing -- you'd think something, anything will be explained by the end of the movie
Because its explained in its entirety at the beginning: "Se til helvete og komme dere vekk. Det er ikke en bikkje, det er en slags ting. Det imiterer en bikkje, det er ikke virkelig. Kom dere vekk, idioter!" ~= "Get the hell away. It's not a dog, it's some kind of thing. It imitates a dog, it's not real. Get away, idiots!"
Re: The Psychology of Serial Killer Movies
#9Earlier quoted context omitted.
>there are dozens of super hero type movies that display violence as utterly ordinary, necessary, and proper, where only the bad guys die forever and justice is ultimately served. Not just superhero movies - action movies, westerns, ancient myths and religions in which the heroes were always violent - maybe violent and cunning, but always violent , and the gods were often as ruthless and petty as nature itself. Think…
You're completely correct, of course. Violence is definitely utterly ordinary. I suppose I meant something more along the lines of mundane or even gentle?... I'm not sure what would have been a better way to phrase it, but I think most people, in the western world, at least, would be shocked at just how violent real violence is because of how it is portrayed in popular media.
>but I think most people, in the western world, at least, would be shocked at just how violent real violence is because of how it is portrayed in popular media.
Most of the reason for that, of course, is marketing. Less violent movies can be rated to reach a wider audience. In the comics, depending on the era, writer, etc, superheroes could be extremely cynical and violent.
Re: The Psychology of Serial Killer Movies
#10One of my favorite movies is The Guest, mainly because it subverts the idea of explaining to the viewer why the situation is the way it is. All of the main character's life events have led him to the point he is at in the beginning of the movie, and there are already concurrent plot threads running by the beginning, but we're never told or given an explanation as to why the situation is in the state it's in, just tha…
> The Thing -- you'd think something, anything will be explained by the end of the movie Because its explained in its entirety at the beginning: "Se til helvete og komme dere vekk. Det er ikke en bikkje, det er en slags ting. Det imiterer en bikkje, det er ikke virkelig. Kom dere vekk, idioter!" ~= "Get the hell away. It's not a dog, it's some kind of thing. It imitates a dog, it's not real. Get away, idiots!"
Mind. Blown. I had no idea. Wow. Mystery solved.