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Mac DeMarco on Anxiety, Alcoholism and the Mitski controversy

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Re: Mac DeMarco on Anxiety, Alcoholism and the Mitski controversy

#4
post #2

I didn't realize there was a Mitski controversy. I knew the songs had the same name, but it's just a single word that can represent a few different emotions. It's not like it was a super-specific title.

The albums also have very similar names (Be The Cowboy v. Here Comes The Cowboy).

Re: Mac DeMarco on Anxiety, Alcoholism and the Mitski controversy

#5
post #2

I didn't realize there was a Mitski controversy. I knew the songs had the same name, but it's just a single word that can represent a few different emotions. It's not like it was a super-specific title.

I only knew of the Mitski album until just this moment.

Clearly cowboys are now in.

I was all prepared to denounce the social-media hordes for yet again descending to defend the honor of someone who didn't ask for that... but all the mention I can find of the "controversy" is a few articles quoting the same handful of pretty tame (if wrongheaded) tweets. Maybe I should be denouncing the bloggers instead.

Re: Mac DeMarco on Anxiety, Alcoholism and the Mitski controversy

#10

I love Mac's music. The single/album name clash sounds like a huge waste of time, can't believe anyone even mentioned it.

Obviously the Twitter outrage was way out of line, but I'll lay out the thinking as a Mitski fan:

Mitski releases Be The Cowboy, with the single "Nobody", and it's her real shot into the mainstream, and goes on to get Pitchfork's Album of the Year for 2018. And I think the Mitski fanbase is particularly bizarre in how closely they identify with her.[1]

So for Mac Demarco to release Here Comes the Cowboy, with the lead single "Nobody", right after all that, feels weird. Obviously it's a coincidence and not a big deal, but I understand why people thought it was worth mentioning.

[1] https://www.newyorker.com/culture/culture-desk/the-misreadin...

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