Earlier quoted context omitted.
Not really. 12 TET (the tuning intervals used in almost all situations where you want equal ability to play in any key, from a Western music perspective) requires a slight amount of beating, even in those "perfect fourth" intervals between most adjacent guitar strings, and especially in the "major third" interval between one pair of adjacent guitar strings, but not in the "2 octave" interval between the lowest and hi…
Perfect fourth could be achieved via natural harmonics at 5th and 7th frets, double octave is just the 5th fret and voila you can get the standard tuning. Inapplicable for necks without a precise position of frets, good luck compensating height differences from nut and gauges with intonation tuners.
I had been thinking about listening for beating in the 5:4 and 4:3 intervals using open strings, which does present the just temperament problem, and harmonics on open strings to make a unison unfortunately shares this problem 100%.