This is very impressive, but “perceptually lossless” isn’t a thing and doesn’t make sense. It means “lossy”.
Perceptually lossless (talking head) video compression at 22kbit/s
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Re: Perceptually lossless (talking head) video compression at 22kbit/s
#92Earlier quoted context omitted.
Fascinating. Vinge is about the furthest from “soft” sci-fi I can think of. We must have very different definitions of what makes something soft. It’s certainly true that Vinge doesn’t spend much time on the engineering details, but I find him unusually clear on “imagine if we had this kind of impossible-now technology, but the rest of what we know about physics remained, how would people behave?” He was, after all,…
Soft vs hard is based on how closely the world tracks with modern physics/science. As such even just FTL is soft, let alone everything else that doesn’t fit.
Maybe it's not productive to quibble about definitions like this, but FWIW I don't agree with this criteria. I would argue Greg Egan's work, for example, is just about the "hardest" sci-fi there is, and yet much of that work takes place in universes that are entirely unlike our own.
Personally, I think what makes for "hard" sci-fi is that the rules of the universe are well-laid-out and consistent, and that the story springs (at least in some significant part) out of the consequences of those rules. That may mean a story set in the "future", where we have new technology or discover new physics, or "alternate universe" sci-fi like Egan's.
Re: Perceptually lossless (talking head) video compression at 22kbit/s
#93This reminds me of a scene in "A Fire Upon the Deep" (1992) where they're on a video call with someone on another spaceship; but something seems a bit "off". Then someone notices that the actual bitrate they're getting from the other vessel is tiny -- far lower than they should be getting given the conditions -- and so most of what they're seeing on their own screens isn't actual video feed, but their local computer'…
And also it was a deep fake. BTW This is the best sci-fi book ever.
Re: Perceptually lossless (talking head) video compression at 22kbit/s
#94Earlier quoted context omitted.
Soft vs hard is based on how closely the world tracks with modern physics/science. As such even just FTL is soft, let alone everything else that doesn’t fit.
> Soft vs hard is based on how closely the world tracks with modern physics/science Maybe it's not productive to quibble about definitions like this, but FWIW I don't agree with this criteria. I would argue Greg Egan's work, for example, is just about the "hardest" sci-fi there is, and yet much of that work takes place in universes that are entirely unlike our own. Personally, I think what makes for "hard" sci-fi is…
In defense of hard science fiction, it’s a meaningful category to talk about even if it’s not something you personally care about. People often want to weaken it but that just opens a door for a new category say “scientific science fiction” and we are back to square one.
Asking questions like what does AGI look like when they can’t just magically solve all issues can be fun. Hand waving the singularly as some religious event can also make interesting stories but so is considering how chaos theory limits what computation can actually achieve.
Re: Perceptually lossless (talking head) video compression at 22kbit/s
#95nice feature for low bandwidth 4G cell systems. Reminds me of the video chat in Metal Gear Solid 1 https://youtu.be/59ialBNj4lE?t=21
If you could reserve a small portion of the radio bandwidth to broadcast a thumbnail + low bandwidth compressed representation of the face movements, you could technically have something similar without encoding any video (think low res, eye + mouth movements).
Re: Perceptually lossless (talking head) video compression at 22kbit/s
#96Earlier quoted context omitted.
Might be better if you like space opera style really soft science fiction. I really didn’t enjoy it.
Fascinating. Vinge is about the furthest from “soft” sci-fi I can think of. We must have very different definitions of what makes something soft. It’s certainly true that Vinge doesn’t spend much time on the engineering details, but I find him unusually clear on “imagine if we had this kind of impossible-now technology, but the rest of what we know about physics remained, how would people behave?” He was, after all,…
That award goes to Greg Egan who has full list of citations on his website for each of his novels, as well as a list of mathematicians and physicists he requested help from.
If you want to read books that occasionally delve into pages of equations, Greg Egan is the author for you! (Seriously though, really good books, and the implications of his "what-ifs" are pretty damn cool)
Re: Perceptually lossless (talking head) video compression at 22kbit/s
#97Earlier quoted context omitted.
> Soft vs hard is based on how closely the world tracks with modern physics/science Maybe it's not productive to quibble about definitions like this, but FWIW I don't agree with this criteria. I would argue Greg Egan's work, for example, is just about the "hardest" sci-fi there is, and yet much of that work takes place in universes that are entirely unlike our own. Personally, I think what makes for "hard" sci-fi is…
If changing the laws of the universe is fine, then nothing gets excluded even Harry Potter. It’s one of those definitions that allows anything and ultimately only feels fine because you’re adding some other criteria. In defense of hard science fiction, it’s a meaningful category to talk about even if it’s not something you personally care about. People often want to weaken it but that just opens a door for a new cate…
Greg Egan's law changes are on the level of "I consulted with a bunch of theoretical physics professors and asked them what the implication of tweaking this one fundamental constant would be, then I spent years meticulously crafting a world that takes into account those implications, and I had others physics professors check over my work to make sure it was within the bounds of actuality, and then I wrote a story about characters in this new world."
> Asking questions like what does AGI look like when they can’t just magically solve all issues can be fun.
Greg Egan actually has a great book about this! Permutation City. CPU cycles aren't unlimited, and there are tons of ethical problems being confronted with the entire "simulate a person" thing.
Re: Perceptually lossless (talking head) video compression at 22kbit/s
#98Earlier quoted context omitted.
And also it was a deep fake. BTW This is the best sci-fi book ever.
I beg to differ. A Deepness In The Sky is the best sci-fi book ever.
On the other hand I think both books developed ideas wonderfully and there are bits of them I keep coming back to, even if I'll probably never reread them
Re: Perceptually lossless (talking head) video compression at 22kbit/s
#99Re: Perceptually lossless (talking head) video compression at 22kbit/s
#100Earlier quoted context omitted.
Why is nobody noticing the eyes?? This is important! I feel like I’m taking crazy pills.
Read the text underneath the image and you'll understand.
Smells like rationalization to me.