> Have you tried Linux audio forums/community
Actually I've gotten everything to work adequately but claiming the alsa/pulse/jack to pipewire transition wasn't just a new nightmare would be wrong, well for me.
> "you need to use windows (or mac) to do anything serious"
Correct and maybe! Serious as in commercial or production? Yes!
Serious as in exploration in HCI and digital instrument creation and what kind of new sounds can come from that? Now we're back into Linux!
I try to (poorly in my opinion) explore the uncharted, I'm not really looking to make a single penny.
Take for instance, the classic chaotic pendulum (https://m.youtube.com/watch?v=yQeQwwXXa7A), you can hook that up to an Arduino sensor pack and convert the values to midi notes that get piped through a synthesizer or they can be the filter control of the synthesizer.
How can the arrangement of the chaotic magnet surface affect the aesthetics of the sound?
For instance, if you hook the values up to a sequencer playing arpeggiators and limit the chord choice wisely, it kinda sounds like bach. Especially if you do time dilation and don't try for things to be real-time.
Recording a composition is a sequence of 2D diagrams with time signatures.
Here's another one, this time with synesthesia. You take a number of sticky notes in various colors and aim a camera at a wall and then assign different roles and rules to the colors and their adjacencies and do a similar pipeline but this time you're playing a concert by sticking post-its to a wall on top of each other.
And yet a 3rd. You take a couple hour capture of rush hour from a freeway traffic camera and assign instruments to the lanes, scale signatures to their densities and then you can hear an orchestration of Friday traffic.
In all these you're still "playing" music because you're taking an active role in a bunch of aesthetic decisions and constraints, it's just a new relationship.